Performing/being a ‘college student’: A study of studio-audience’s participation in TV talk show.
碩士 === 國立中山大學 === 傳播管理研究所 === 99 === This interpretive study uses hermeneutic phenomenological methodology to understand the experience of six college students in Taiwan who participate in TV talk show as studio audience. Texts were collected from in-depth interviews. The result indicated a dramati...
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ndltd-TW-099NSYS53750022015-10-19T04:03:17Z http://ndltd.ncl.edu.tw/handle/26210805301576660728 Performing/being a ‘college student’: A study of studio-audience’s participation in TV talk show. 表演"大學生":【大學生了沒】現身觀眾參與經驗之研究 Ya-chi Yu 虞雅琪 碩士 國立中山大學 傳播管理研究所 99 This interpretive study uses hermeneutic phenomenological methodology to understand the experience of six college students in Taiwan who participate in TV talk show as studio audience. Texts were collected from in-depth interviews. The result indicated a dramatic interaction framework toward the whole experience: participants as performers must ‘act’ like undergraduate students, though the show – from script, setting to personal front – must be ratified by producer. Furthermore, two transformative effects are found in participants. First, they were socialized in the studio through the performance, and learned more social-performing skills and scripts. Second, they are bothered by mixing up their drama-roles with social-roles. It was the producer’s purpose to represent ‘a world beneath’ of college students in University. However it became ‘a public trial’ on TV after excessive entertainment manipulation. Feng Yuan Kuo 郭峰淵 2010 學位論文 ; thesis 141 zh-TW |
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碩士 === 國立中山大學 === 傳播管理研究所 === 99 === This interpretive study uses hermeneutic phenomenological methodology to understand the experience of six college students in Taiwan who participate in TV talk show as studio audience. Texts were collected from in-depth interviews.
The result indicated a dramatic interaction framework toward the whole experience: participants as performers must ‘act’ like undergraduate students, though the show – from script, setting to personal front – must be ratified by producer.
Furthermore, two transformative effects are found in participants. First, they were socialized in the studio through the performance, and learned more social-performing skills and scripts. Second, they are bothered by mixing up their drama-roles with social-roles.
It was the producer’s purpose to represent ‘a world beneath’ of college students in University. However it became ‘a public trial’ on TV after excessive entertainment manipulation.
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author2 |
Feng Yuan Kuo |
author_facet |
Feng Yuan Kuo Ya-chi Yu 虞雅琪 |
author |
Ya-chi Yu 虞雅琪 |
spellingShingle |
Ya-chi Yu 虞雅琪 Performing/being a ‘college student’: A study of studio-audience’s participation in TV talk show. |
author_sort |
Ya-chi Yu |
title |
Performing/being a ‘college student’: A study of studio-audience’s participation in TV talk show. |
title_short |
Performing/being a ‘college student’: A study of studio-audience’s participation in TV talk show. |
title_full |
Performing/being a ‘college student’: A study of studio-audience’s participation in TV talk show. |
title_fullStr |
Performing/being a ‘college student’: A study of studio-audience’s participation in TV talk show. |
title_full_unstemmed |
Performing/being a ‘college student’: A study of studio-audience’s participation in TV talk show. |
title_sort |
performing/being a ‘college student’: a study of studio-audience’s participation in tv talk show. |
publishDate |
2010 |
url |
http://ndltd.ncl.edu.tw/handle/26210805301576660728 |
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