| Summary: | 碩士 === 國立臺南大學 === 美術學系視覺藝術教學碩士班 === 99 === The discussion on creation is on the basis of the works created from 2009 to 2010. It traces back to the motive of personal creation, thinking patterns, the interpretation of works created, and the method and development of creation forms. In the end, the works are analyzed respectively and interpreted.
The motive and purpose of creation are based on personal feelings of life. The inspiration is found in the gradually accumulated memories, portrayed by inner images, and then observed and probed. The personal creation is proved though art history, psychology and biology. The personal spirits and perspectives on life are presented by the unconscious of Sigmund Freud and Surrealism combined with an organism. The discussion emphasizes on the self pursue and perspective in one’s mind. The feelings of carefree, relief, and unconventional in one’s mind are presented in works.
The contents of the thesis concludes a preface, which states the motive, the purpose, the method, the scope, and the structure of the study. Chapter one is the references; it concerns the unconscious of Freud, Surrealism, and the analysis of Miro’s dream images. Chapter two is the probe into creation contents and forms. It starts the probe from organic forms; the creation contents expresses ego image and then states creation forms. Chapter three is the media skills and the creation practice, which analyzes creation media skills and compared the creation perspective and forms in the previous chapter to analyze the sequence of ideas, process and contents. The conclusion concludes the viewpoints, reflections, and reviews. It also proposes the possibilities and directions of the future creation.
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