| Summary: | 碩士 === 國立臺灣師範大學 === 美術學系 === 99 === This research attempts to clarify the viewpoint of the East and West on the “nihility” and "actual situation". At first, how did classical Chinese aesthetics develop "mood" and "image" which are the important core of traditional ink painting from this theory about nihility and actual situation. The other hand, I seek to realize the relationship between nihilism and practicality from western point of view by the structuralism method, and figure out how did Lacan get the idea from Saussure’s Semiology to extend the "the main theory" which is composed of "mirror stage" and "Oedipus complex". After that, I try to combine these concepts with art works.
As an Art performance, the use of contemporary "ready-made objects" are easier to draw the audience into the situation quickly, so I select 6 Eastern artists who are can make the successful interaction with symbols and metaphors, especially to represent the "mirror image" concepts to works by installation art. In the analysis, I compare the materials such as metaphor, media, themes and the roles played by the viewers, etc. in their creation works.
Finally, I use the bathroom image for an actual situation field by ready-made objects, ink painting and ceramic version, and try to guide audiences to change their usual way of viewing. Thus, the viewers could become the part of paintings inadvertently, in the meantime, it also "complete" the implication of works. However, how to engage viewers to understand the abstract ideas that artists want to convey without "significant overload" is one of the issues that I really care about.
|
|---|
