| Summary: | 碩士 === 國立臺灣師範大學 === 美術學系 === 99 === Taiwan is a multi-cultural and freedom country . The island surrounded by the sea, involved with compatible culture and history, let us easy to accept many importable messages. By various forms of creative ways, expressing their own ideas, metaphor, or criticism, reflecting his concern for the environment , the artists in Taiwan not only respond to the environment sensitively, but also reveal the esthetic and close relationship. The artists convey their ideas through the creativity , reflecting their own feelings of the environment. Furthermore, the artists express their self-value through the concrete artistic craftsmanship.
The motif of the oil paintings comes from some of the cactus the author plants in his daily life. Combined with different shapes, colors, objects, and scenes, the theme of the works interpret the love and feelings to those plants.
The first chapter of the author's discussion, "I" (that is, the creator himself) should be the source of the fundamental concept in both of the internal thinking and the external appearance. It turns out from existentialism. In the second chapter, the author separates the evolution of the art works to three periods.Emulated from the surrealism painting, the artist uses the realistic technique of the painting for the external form. The third chapter I feel the keys are always the artist's creative interpretation. The spiritual contexts have certainly continued, even some events from the different ages, generating the common synesthesie. the development of still life images context and spirituality. The chapter forth profoundly contains the introduction of the themes, forms and expression. The fifth chapter the author reinforces individual creative ideas of works, analyzing the environmental factors and the conclusion after the review of the works. The sixth chapter ends with a summary of the reflection from his works and the author's future expectation.
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