| Summary: | 碩士 === 國立臺灣師範大學 === 美術學系在職進修碩士班 === 99 === This study focuses on the image composition and differences of the Classic of Mountains and Seas (Shan Hai Jing), analyzing and summarizing the application models, coupled with the social issues to be practically applied in a series of image creations. From the literature part, the origin of the Classic of Mountains and Seas (Shan Hai Jing) and the development of the different versions of images were explored. In addition, based on the features of the versions of the Classic of Mountains and Seas (Shan Hai Jing) during the Ming and Qing dynasties, the development context was clarified. Also, through the constitution forms, the image version types were classified. The image constitution forms can be divided into: “One God or many Gods with mountains and rivers in the back,” and “One God or Many Gods without a background.” After gaining an insight into the Classic of Mountains and Seas (Shan Hai Jing) related case analysis, the four concepts of “imagination, description, creation, and acquisition” served as the creation design basis. In this study, with the social issues as the themes, the Classic of Mountains and Seas (Shan Hai Jing) image was redesigned and redeveloped into four themes: “career, worship, flowers, and politics.” In addition, four contrasting colors were used to match the themes to express the uniqueness of the personal image designs and interpret the concept of the traditional images in modern expression. In this study, the introduction in Chapter 1 covers the research motivation, purpose, and creative research methods; Chapter 2 covers the Classic of Mountains and Seas (Shan Hai Jing) related theoretical discussions, including the research analysis of the different versions of images, analysis of the relevant case studies, and analysis and descriptions of the expression style; Chapter 3 covers descriptions of the creation concepts and processes, including the creation concept and creation development process, and descriptions of the works; the final chapter covers the specific conclusions and recommendations, as well as the possibility of future development of creations.
The specific research value of this study lies in the possibility of analyzing and applying the social issues in image creations through the theoretical basis of the Classic of Mountains and Seas (Shan Hai Jing). In terms of creation style, lines and strong color contrasts were used as the main form of visual expression. Through image creation, criticisms in modern life were reflected, thus attempting to elicit resonance with viewers and inner reflection through image creation. The four image design work series are a reflection of the values and ethics of modern society, which in turn are extended into a series of creation designs that are in line with the contemporary Classic of Mountains and Seas (Shan Hai Jing).
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