| Summary: | 碩士 === 國立臺灣師範大學 === 台灣文化及語言文學研究所 === 99 === In modern Buddhist literature field territory, Liang Han Yi is no doubt the representing writer. At first, she is not only a novelist, but also an essayist, a biography writer. Besides, she highly controls different kinds of novel techniques, and accurately understands the Buddhism righteousness principle. Since she concerns about how Buddhism and literature blends with each other, she also has some theses focus on this issue. Finally, her realization of the practice process ─ from the Arhat said to the Bodhisattva said, is the main concern of her writing. She also takes the Bodhisattva said as the value and the spirit of Buddhist literature.
In the modern novel history, Liang Han Yi’s novels intermix the stream of consciousness, the magic realism, and collage techniques. Out of counter-practical intention, these novel techniques have abnormal expressions. The techniques and contents in her novels full of openness and resilience, which is just the core spirit of the latter modernism. Liang Han Yi’s novels let us conscious that the modernism and the latter modernism come from the same origin─ counter-practical intention. In this way we can understand the Taiwan literature history all the better for responsing the question─ we make the latter modernism or the the latter colonizes to stand for the 80s.
There are many theses discuss Liang Han Yi’s writing. But these past research results seldom deeply cut into the text. In this way, there are some biased views. This dissertation focuses on Liang Han Yi’s Buddhism novels. Observe them through the new novel techniques, modern Buddhist literature field territory, and Narrates study. In this way I can summarize Liang Han Yi’s contribution and characteristic in the modern Buddhist literature field territory and the modern novel history.
|
|---|
