從《2009流浪之歌音樂節特別企劃節目（MMF Special）》

• Main Author: 許景涵
• Other Authors: 黃均人
• Format: Others
• Language: zh-TW
• Published: 2011
• Online Access: http://ndltd.ncl.edu.tw/handle/69464635965282420821

碩士 === 國立臺灣師範大學 === 民族音樂研究所 === 99 === Migration Music Festival, the best-known festival based on ethnic music in Taiwan, was founded by Chung Shefong in 2001. In the past nine years, Chung had invited numerous musicians from different cultural backgrounds to participate and collaborate with local artists. During the limited time, the musicians will try their best to ‘talk’ to each other by using their instruments. Finally, the collaborative work will be presented on the ‘MMF Special’ stage, which is always the highlight of the festival. Moreover, Chung creates an cultural or social issue as the theme of the festival every year. All the programs including lectures, workshops and live performances, were all made a strong connection with the festival theme. Chung hopes the audiences not only to enjoy the music, but to think about the issue carefully after the festival. In Chung’s opinion, there is a place for bold innovation drawing from traditional music and for collaboration across borders. However, Chung insists that the invited musicians should deeply comprehend and identify their own music culture, also be eager to share and work with musicians from other cultures. Only in this way, the collaborative work can be meaningful, rather than a shallow jam. By reviewing the live performances and interviews of the musicians and curator, the author found the meanings of this event. For musicians themselves, through the introspection after collaboration, the ideas of music turned different. In addition, they found more inspirations and possibilities on composing. For the audiences, the festival provides a direct and efficient way to create a world vision. The thesis includes text and a multimedia film. In 2009, the author worked for Migration Music Festival as a camera director for ‘MMF Special’ program. From the process of making this film, the author affirms the importance of multimedia recording skills using on Ethnomusicology studies. Compare to notation, multimedia recording is more objective and close to real sound, which can be a specific reference for musical analysis.