The Analysis and Interpretation of Gordon Jacob《Concerto for Bassoon and Strings》

• Main Authors: Ho, Shujung, 何叔蓉
• Other Authors: Chang, Lunyun
• Format: Others
• Language: zh-TW
• Published: 2011
• Online Access: http://ndltd.ncl.edu.tw/handle/64293042268722592472

碩士 === 國立臺北教育大學 === 音樂學系碩士班 === 99 === Music in the 20th century can be described as a developmental history full of changes, as well as an era of extreme diversity. As composers of most countries were continuously trying to strive for breakthrough and be futuristic, they had thus generated special creative techniques and effects. The British composer Gordon Jacob in the 20th century, however, was not affected by this wave of trend, but remained his personal creative philosophy to create his own style of works. The purpose of this study is to explore the personal creative style of Gordon Jacob’s work “Concerto for Bassoon and Strings” and an attempt to analyze his music in order to interpret the music ideally. This thesis is divided into four chapters. Chapter 1 is an introduction, explaining the research motivation and scope of this thesis, and listing the reference books, audio information and other reference bases. Chapter 2 is an introduction to the life and creative style of composer Gordon Jacob, and further to understand his creative style and impact through relevant background information. Chapter 3 is an attempt to analyze and interpret the music “Concerto for Bassoon and Strings” , analyze the musical structure, motivation and creative approach, and use the analytical results to serve as the interpretation basis to give the best interpretation in instrumental performances. Chapter 4 is a conclusion. Through the research and exploration of this thesis, I hope I am able to provide learners of bassoon a deeper understanding and the direction of thinking of Gordon Jacob’s work “Concerto for Bassoon and Strings” , thereby be able to offer a better interpretation in musical performances.