| Summary: | 碩士 === 國立臺北大學 === 古典文獻學研究所 === 99 === “Ji Zuan Yuan Hai” is sort of “Genus-Collection” (Lei shu) compiled and summarized by a scholar Pan Zi-Mu in Soutehern Song Dynasty. This edition differed greatly from all other similar “Genus-Collections” (Lei shu) in past histories. In the preface, he stated by himself that nearly all the compilations made in the past history were for functions of reference and recordings and he also cited lots of the “Genus-Collections” (Lei shu) in the past with comprehensive interpretations. That thus created a motivation for him to develop “Ji Zuan Yuan Hai” by means of a unique literature edition written in the “Opinion Record Style”. Within the “Ji Zuan Yuan Hai” of “Song-Dynasty-Version”, lots of theoretical sentences in ancient writing were compiled separately into many categories with covering many topics. In consideration of the category arrangement for the edition and compilation, such as “Seeking Knowledge Oneself”, “Attitudes of Endurance and Perseverance” and “Frequency of Anxiety and Disaster” demonstrate linguistic phrases to certain extent that are deduced as for the purpose of studying references for imperial examinations.
There have two versions for the “Ji Zuan Yuan Hai”: the first is Song-Dynasty-Style, inclusive of “Song-Dynasty-Edition” and “Song-Dynasty-Publication” and ‘Yuan-Dynasty-Copper-Monograph” and “Ming-Dynasty-Publication” and “Ming-Dynasty-Copper-Letter-Print”; the second is the “Ming-Dynasty-Style”, including only one “Ming-Dynasty-Publication”. The “Song-Dynasty-Version” mainly was mainly compiled by Pan, Zi-Mu. Afterwards, the contents of “Ming-Dynasty-Version” evolved with much difference with that of “Song-Dynasty-Version” due to integration with “Event-Record-Style” in addition to the previous “Opinion Record Style”. The reason is the second version were compiled by lots of writers instead of being compiled by mainly Pan, Zi-Mu alone. Therefore, the contents of the second version were already deviated from the original compilation ideology of Pan, Zi-Mu written in “Opinion-Record-Style”. Based on the aforesaid analysis, the research topic adopted for this essay is thus the “Ji Zuan Yuan Hai” compiled by Pan, Zi-Mu, namely the “Ji Zuan Yuan Hai” featuring literature and culture of “Song-Dynasty-Style”.
In this essay, it is initiated from analysis on the editor of “Ji Zuan Yuan Hai”-- Pan, Zi-Mu in respect of his life careers and social relationship. The second part focuses on evaluation on the compilation ideology and development procedures of “Ji Zuan Yuan Hai” of “Song-Dynasty-Style”. Another topic of this essay is the research on “Ji Zuan Yuan Hai” of “Song-Dynasty-Style” having in term of historical books and volumes compiled inside this edition. In the past histories, many literature collections were endowed with opinions and comments or citations from this edition. Meanwhile, this essay is included with an integral analysis is for summarizing some ancient researches regarding the “Ji Zuan Yuan Hai” and then with comparisons of the differences between “Song-Dynasty-Style” and “Ming-Dynasty-Style”. Another research is in-depth introduction of the “Ji Zuan Yuan Hai” of “Song-Dynasty-Style”.
This essay also concentrates on edition mechanism and also citation principles—in term of theory analysis-of “Ji Zuan Yuan Hai” of “Song-Dynasty-Style”. For full grasp of the original edition mechanism and cited historical reference documents in neutrality, the author thus has conducted file establishment for the contents of the original compilation version in addition with statistical analysis. Finally, there includes analysis of the theorem and the conceptualization regarding the values of “Ji Zuan Yuan Hai” of “Song-Dynasty-Style” and how this writing have influenced the histories afterwards and future perspective.
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