From “The Lady of Shalott” to “Rapunzel”: The Lady Weavers in British Aestheticism
碩士 === 國立臺灣大學 === 外國語文學研究所 === 99 === This thesis examines the trope of the “lady weaver” in two poems – Lord Alfred Tennyson’s “The Lady of Shalott” and William Morris’s “Rapunzel” – in relation to mid-nineteenth-century British aestheticism. Both poems are composed at an early, anxious stage in th...
Main Authors: | Tsen-En Lin, 林岑恩 |
---|---|
Other Authors: | Ya-Feng Wu |
Format: | Others |
Language: | en_US |
Published: |
2011
|
Online Access: | http://ndltd.ncl.edu.tw/handle/69641618656818607667 |
Similar Items
-
The Lady of Shalott in 2020
by: Mead, Rachael
Published: (2020-12-01) -
Paintings of Tennyson's The Lady of Shalott from Pre-Raphaelites
by: Hu, Chia-Chi, et al.
Published: (2011) -
Embodied Craft in Lia Cook’s Textiles and «The Lady of Shalott»
by: James Krasner
Published: (2020-06-01) -
Tennyson's Lady of Shalott in Pre-Raphaelite Art: Exonerated Artist or Fallen Woman
by: Bourke, Allyson McMahon
Published: (1996) -
From Verse to Visual: An Analysis of Alfred Tennyson and William Holman Hunt’s The <i>Lady of Shalott</i>
by: Bolen, Anne E.
Published: (2004)