| Summary: | 碩士 === 臺北市立教育大學 === 視覺藝術學系碩士班 === 99 === Through oil painting technique, this paper intends to present and motivate unlimited thinking and imagination of gender instead of its literal definition which is generally accepted by the public, in order to find out the further intentionality of gender itself. Transcendental Method, Historical Reduction Method and Introspective Method are the central logic of this creation whose content contains the probe into “other,” “intertextuality” and “desire.” Meanwhile, by the integration of sense and sensibility, it is devoted to express essential value and intensive consideration of this creation which will produce distinguishable response to the subjective consciousness of the audience. It comes to the conclusion that the bodies which own the characteristic of dialogue with other are always surrounded by the desire and the existence of gender reflects the interaction in the unconscious interpersonal.
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