The occurrence of image

• Main Authors: Nanri Tomoko, 南里朋子
• Other Authors: KU, SHIH-YUNG
• Format: Others
• Language: zh-TW
• Published: 2010
• Online Access: http://ndltd.ncl.edu.tw/handle/69625471177095624056

碩士 === 國立臺南藝術大學 === 造形藝術研究所 === 99 === After raining, the smell of the asphalt reminded me of the scene some day in the past. Suddenly, I noticed unfamiliarity with the person who I thought familiar with, for example, the shape of ears. Before taking the spicy hot pot, gustatory nerves activate my salivary gland along with my expectation. Human senses and memories are closely connected. All materials which we sense become images carrying our memories；meanwhile, those materials put oblivion into us. In other words, through our bodies, the reborn memories have been continuous embedded into the materials. My works, usually start from the small parts of the memories from my material images, and they then extend, spread, increase. Later, imagination are derived from the process and represented as a synthesis. No matter a painting, several paintings or an installation, I am always conscious of presenting as a whole with openness. I hope my works represent the chain effect which brings the unlimited interaction among all materials. Hope my works have a great diversity of representation, not under social limitation. My works provide not only their function as the whole, but also the synchronies between the past and the present.