| Summary: | 碩士 === 國立臺北藝術大學 === 美術學系碩士在職專班 === 99 === Summery
In this research it is concentrated on how personal painting arts creation could demonstrate sensory perception and. also how the both oriental and western arts featuring different arts development and evolution systems could be integrated for creating non-confrontational visual recreation and representation in respect of visual sensory perception by means of experimental visual image forms.
In view of arts creation, logic reasoning and flair and object appearance would characterize a unique interest, because both observation and conception would engender incidental, ambiguous, occasional, elusive, ineffable, wild, and formative and irregular mental status. Since the modern human beings, namely post-21st century, prefer ignorance of rational behavior with conscientious mechanism in favor of reluctance of rationally logic reasoning and self retrospect, emphasis on “immediately available” joy and expectation of directly accessible proof and efficient perfect outcome thus prevail. The motivation for coping with increasingly social evolution by means of perpetual self changing is thus more preferential than pursuit of sophisticated and comprehensive truth or any abstractness. Virtual stimulation of personal desire, imitation of social behavior, strengthening efficiency and progress also lead to the prevalence of the tendency of “preference of imagination” and “believing upon vision”. It thus occur such phenomenon as unorganized human mood composition, truth unconsciousness, vanishing perception of simplifying expression, interwoven, common belief of irrationality in such a highly civilized society nowadays. Therefore, the human society in the 21st century characterizes personal creation full of elusion, accordingly with demonstrating the current philosophy distinctly nowadays.
Chapter 1: Summary, Mainly depicting briefly the creation research, including the motivation, purpose and methodology applied in this research.
Chapter 2: Explaining the constituent, and theory analysis and academic basic of the creation themes and the searching painting element basis by means of applying expressionism of arts creation in traditional Chinese brush painting arts
Chapter 3: Stating the creation conceptualizing, and contents discussion by evaluation of the analysis and logic reasoning of creation composition establishment
Chapter 4: Interpreting the counteracting relevancy between personal arts creation and modern works of arts and further summarization and mutual comparison by description of the modern works of arts featuring high similarity with personal arts.
Chapter 5: Summarizing and making conclusion of the research procedures and mechanism for this research.
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