The Order in Chaos: from Fractal to Gestalt ─ Pathology Atlas ''s Inducing and Derivative

• Main Authors: Hsin-Pei Wang, 王馨珮
• Other Authors: Chen-Hui Chang
• Format: Others
• Language: zh-TW
• Published: 2011
• Online Access: http://ndltd.ncl.edu.tw/handle/40600215606603080128

碩士 === 台南應用科技大學 === 美術研究所 === 99 === This creation adopts the idea that chaos and order can be co-existed and hence; the order in chaos: from fractal to gestalt becomes the theme of the painter’s creation to articulate pathology atlas’ cross-border confusion and it is also the inspiration source of this creation. To combine with other contributing factors’ from people, things and objects, the painter makes a comprehensive survey of the formation of artistic inspiration, the chosen media, the technique of expression and the correlation between theories and comes to the conclusion that they are all non-lineal causal relationship. The painter considers such creation is an unpredictable evolving progress that there is order hidden behind chaos and vice versa. A. Preface: to articulate the origin of creation motivation, goals, boundaries, techniques of expression/process and terminology. B. Theoretical basis: to make an overall articulation, analysis and mutual proof on artistic creation process with evidence based on theories regarding chaos, fractals and gestalt. C. Idea of creation and forms of expression: to observe chromosome and its changes of formation characteristics on pathology atlas though microscope becomes the source of artistic inspiration. Through the creation process, the painter’s spiritual space is also developed due to emotional affection which brought about personalized creation terminology and such forms of expression also fits in with theoretical basis. For example, the operation between chaos and order, the fractal images between artistic works and pathology atlas, abstract expression, randomly applying different media for creation, the characteristics of music in creations, the image of creation and the formed imagery, the inner thoughts of those images, and the overall senses of sight conscious under the psychological control of gestalt all conform to the theories the painter apply for. D. The analysis of creation: there are five series in total. To trace the consciousness on the spot of creation, articulate how pathology atlas and evolving brought about inspiration and explore the theoretical basis of these series’ creation. It is expected to attain the possibility of delivering artistic value as well as making some contribution through creation. E. Recommendation and future prospect: internalization and self-examination help the painter to follow her heart while making creation which reflects the subjective aspect in her works. It also has impact on observation, indicative behaviours, self-control and self-revision which properly represents gestalt theory. It also proves that chaos is not disorder but traceable which can be controlled within certain boundaries. In regards to future prospect, it is expected that the painter could constantly adjust her thought and experience more diversified artistic media which will make her creations in the future deliver deeper and broader thoughts and reflections.