To Meet the Turn of Life - Multiple ross -border and Self-breakthrough─ The Course Study of Lu Han-Show''s "Poetry Road"

• Main Authors: MEI-HUI TU, 涂美惠
• Other Authors: CHEN-FU LIOA
• Format: Others
• Language: zh-TW
• Published: 2012
• Online Access: http://ndltd.ncl.edu.tw/handle/19986742228209290244

碩士 === 國立中興大學 === 台灣文學與跨國文化研究所 === 100 === The local writer, Lu, Han-Show, with great multi-cultural experience, created modern poetry in Chinese during his early time. Longing for the Chinese classical aesthetics to rethink his own mother tongue experience, he brings new life to Taiwanese songs. Then he follows up on the pulse of the times and combines photography with poetry. Lu, Han-Show''s cross-border, cross-language and cross-media performance in literature makes the spread of literature more various. The study will focus on Lu Han-Show''s published modern poetry and explore the writing course of his modern poetry on how to integrate Chinese with Taiwanese; how to make good use of the multiple cross-border of poetry, music, TV shows, movies and photography; how to meet the turn of life, how to accept self-challenge and self-breakthrough again and again and show his own life value and eternal meaning of the pursuit of literature? Chapter one is the introduction which contains the research motivation and purpose of this study, research scope and procedures, literature review and discussion, and the outline of this study. Chapter two is about Lu Han-Show''s background of growth and the experiences of study and life. It discusses the relationship of his writing from the author''s growth and experiences. Chapter three is about his personal growth and social care---Chinese poetry connotation and its evolution. This chapter will explore how the author’s Chinese poetry demonstrates from personal growth record to caring for the society and then ignite his local feelings to interpret Taiwanese songs in modern poetry ways. Chapter four is about the writing course and perspective of Taiwanese poetry and Taiwanese songs. After the hometown debate, the literary and cultural circles in Taiwan reignite a heat of finding cultural roots. The social atmosphere at that time evoked the awakening of our mother tongue. Lu, Han-Show wrote poetry in Taiwanese formally. He proposed “poetry and songs in one,” which brought new vigor to Taiwanese literature. Chapter five is about the union and creation of images and poetry. With the coming of image era, Lu, Han-Show follows up the pace of the times. He combines two of his expertise, photography and modern poetry together, extends the angle and vision of literature, and has the courage to try newer creation in the literary field. Chapter six is the conclusion, which sums up the meaning of writing course change of Lu, Han Show’s “Poetry Road.” Then think about his works’ value and position in contemporary Taiwan literature field.