| Summary: | 碩士 === 國立臺灣師範大學 === 音樂學系在職進修碩士班 === 100 === Mr. Lianghui Lu’s unique compositional style combines the eastern and western musical elements. Such ideology is influenced by acculturation and historical background. Mr. Lu has possessed inheritable position in eastern musical development. In the light of this, this dissertation is going to discuss Mr. Lu’s composition for large-size Chinese music ensemble, SPRING, from the view point of a conductor. It is also going to discuss the background of the composer, analysis of musical composition, musical interpretation and technique of conducting.
The dissertation is divided into five chapters:
First Chapter: Introduction. This chapter discusses the writing skill and direction of this dissertation. The discussion also includes motive and objective of study, range and content of research, method and step of study, and technique, terms, example of conducting choices.
Second Chapter: The background and creative notion of Mr. Lu. This chapter will introduce Mr. Lu’s background thoroughly. In this introduction, the reader will know how Mr. Lu is influenced in his creative time period. This chapter also discusses the progress of Mr. Lu’s musical creation and his creative ideas.
Third Chapter: Analysis of composition for the large-size Chinese musical ensemble – SPRING. This chapter is going to describe the background and motive of composition, SPRING. Then, the meaning of this composition will be introduced briefly. Finally, this chapter will focus on the musical form, harmony, modulation, and development of SPRING. The piece will be thoroughly discussed and analyzed with a composite chart.
Fourth Chapter: Interpretation and conducting technique analysis. This chapter is divided into three sections. The first section is arrangement with composition and interpretation of music. The second section is analysis of each music performance. The last section is focused on the conducting technique.
The Fifth Chapter: Conclusion. This chapter composities the content of above four chapters. It interprets and analyzes the composition style and real thoughts of the composer from the view point of a conductor. The conducting technique for this piece is clarified and discussed in detail. By this study, the author is looking forward to produce resonance with audiences and better ways to expressing the music, and pursuing a much higher layer into the musical art.
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