| Summary: | 碩士 === 國立臺灣師範大學 === 音樂學系 === 100 === While discussing the Concerto development in the first half of the nineteen century, we often mention about the issues of virtuoso concerto and symphonic concerto. Robert Schumann (1811-1856) in his whole life, had tried to compose works for Piano and Orchestra for 8 times, however, the Piano Concerto in a minor (1845), was his only work possessing multi movements and fully completed piece.
Thus, the study analyze the Overture, motive material, theme orchestration and sound of solo and Orchestra, explore how Schumann incarnate his thinking in the Piano Concerto in a minor. The thematic relation of the three movements and transition from the 2nd to the 3rd movement, he perfectly linked three movements together. The sound between the Orchestra and piano solo, sometimes confront, while sometimes completely set, which had made this work to be regarded as one of the quintessential pieces of Romantic piano concertos.
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