Analysis of Mise-en- "scene" in the Animation Tekkon Kinkreet

• Main Authors: Wang, Chun-Kai, 王俊凱
• Other Authors: Yu, Pei-Yun
• Format: Others
• Language: zh-TW
• Published: 2011
• Online Access: http://ndltd.ncl.edu.tw/handle/52168471900654076651

碩士 === 國立臺東大學 === 兒童文學研究所 === 100 === 　　The scenes of a movie are impossible to be neglected because they provide a stage on which the characters perform and the plots develop. If you observe closely, you will find that not only does a detailed and consciously-designed scene provide a stage, but it provides much additional information which the characters and plots can not reach. In addition, a movie is completed due to camera work; therefore, the look of a scene varies depending on how it was shot. 　　The rich possibilities of the scenes make them as important as the plots and characters in a movie. Based on the text-analytic methods, the thesis will take the animation, Tekkon Kinkreet, as its research focus. The scenes of Tekkon Kinkreet are set in a city which was consciously established by the art crew and in which the characters move. Accordingly, the thesis will analyze how the locations of the scenes are arranged from the perspective of Mise-en-scene. Then, the thesis will examine the relationship of the scenes, the characters, and the plots, according to the construction-surrounded scenes. Finally, from the perspective of Cinematography, the thesis will discuss how the extensive use of long shots, wide-angle lens, and hand-held camera highlights the importance of the scenes. 　　Through the perspective of Mise-en-scene and Cinematography, the thesis concludes that the scenes of Tekkon Kinkreet are not just still backgrounds, they vary with the characters and the plots. Also, they change as time flows by. They appear and exist like characters.