Metaphor and Symbol— the discussion of creation by Huang Kai-Sin

碩士 === 國立臺灣藝術大學 === 書畫藝術學系造型藝術碩士班 === 100 === This study is qualitative research which adopts the history research method and the range of research includes the differences between metonymy, metaphor and symbolon, the symbolism, the definition of illustration, the expression technique of The Lit...

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Main Authors: Huang, Kai-Sin, 黃凱馨
Other Authors: Li, Xijia
Format: Others
Language:zh-TW
Published: 2012
Online Access:http://ndltd.ncl.edu.tw/handle/55740973489308802742
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spelling ndltd-TW-100NTUA05800022015-10-13T21:02:40Z http://ndltd.ncl.edu.tw/handle/55740973489308802742 Metaphor and Symbol— the discussion of creation by Huang Kai-Sin 比喻與象徵—黃凱馨圖文創作論述 Huang, Kai-Sin 黃凱馨 碩士 國立臺灣藝術大學 書畫藝術學系造型藝術碩士班 100 This study is qualitative research which adopts the history research method and the range of research includes the differences between metonymy, metaphor and symbolon, the symbolism, the definition of illustration, the expression technique of The Little Prince written by Saint Exupery. Through the literature review, analysis and integration, the metaphor and symbolon method and spirit are applied to the creation of illustration. The presentation mode of the works is image-text and is divided into two series which are object series and animal series, which are different in the form and subject. The object series has 11 pieces, using metaphor technique to compare the wool, stair, record, pencil, Russian doll to the thought, dream, memory, politeness, personality which are the abstract derivatives related to human. The animal series has 9 pieces, using symbolon method, the owl, swallow, cat, sheep, giraffe, rhinoceros, polar bear, hermit crab, badger symbolize the writers’ 9 friends. The object series shows the pure beauty using simple line while the animal series presents innocent fun using flat printed method. This study is divided into five chapters. The first chapter is introduction which includes the motivation and purpose, range and method, difficulties and restriction and term definition of this research. The second chapter is literature review which discusses metaphor and symbolon, symbolism and illustration. The third chapter is creation forms and principles and the content is image-text, simplified and planarity. The fourth chapter is work interpretation which respectively states the form and content of the object series and animal series. The last chapter is conclusion. Li, Xijia 李錫佳 2012 學位論文 ; thesis 92 zh-TW
collection NDLTD
language zh-TW
format Others
sources NDLTD
description 碩士 === 國立臺灣藝術大學 === 書畫藝術學系造型藝術碩士班 === 100 === This study is qualitative research which adopts the history research method and the range of research includes the differences between metonymy, metaphor and symbolon, the symbolism, the definition of illustration, the expression technique of The Little Prince written by Saint Exupery. Through the literature review, analysis and integration, the metaphor and symbolon method and spirit are applied to the creation of illustration. The presentation mode of the works is image-text and is divided into two series which are object series and animal series, which are different in the form and subject. The object series has 11 pieces, using metaphor technique to compare the wool, stair, record, pencil, Russian doll to the thought, dream, memory, politeness, personality which are the abstract derivatives related to human. The animal series has 9 pieces, using symbolon method, the owl, swallow, cat, sheep, giraffe, rhinoceros, polar bear, hermit crab, badger symbolize the writers’ 9 friends. The object series shows the pure beauty using simple line while the animal series presents innocent fun using flat printed method. This study is divided into five chapters. The first chapter is introduction which includes the motivation and purpose, range and method, difficulties and restriction and term definition of this research. The second chapter is literature review which discusses metaphor and symbolon, symbolism and illustration. The third chapter is creation forms and principles and the content is image-text, simplified and planarity. The fourth chapter is work interpretation which respectively states the form and content of the object series and animal series. The last chapter is conclusion.
author2 Li, Xijia
author_facet Li, Xijia
Huang, Kai-Sin
黃凱馨
author Huang, Kai-Sin
黃凱馨
spellingShingle Huang, Kai-Sin
黃凱馨
Metaphor and Symbol— the discussion of creation by Huang Kai-Sin
author_sort Huang, Kai-Sin
title Metaphor and Symbol— the discussion of creation by Huang Kai-Sin
title_short Metaphor and Symbol— the discussion of creation by Huang Kai-Sin
title_full Metaphor and Symbol— the discussion of creation by Huang Kai-Sin
title_fullStr Metaphor and Symbol— the discussion of creation by Huang Kai-Sin
title_full_unstemmed Metaphor and Symbol— the discussion of creation by Huang Kai-Sin
title_sort metaphor and symbol— the discussion of creation by huang kai-sin
publishDate 2012
url http://ndltd.ncl.edu.tw/handle/55740973489308802742
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