| Summary: | 碩士 === 國立臺灣藝術大學 === 書畫藝術學系造型藝術碩士班 === 100 === Huang Binhong (1865-1955) was a modern painter in the late Qing Dynasty to the early years of the Republic. “ Lush and Resplendent, Full and Round ” was his exploring a landscape painting style and creative spirit in his later years. The article aims at studying Huang Binhong embodied the landscape painting of “ Lush and Resplendent, Full and Round ” in his later years as a research object. The author will explore what were Huang Binhong’s painting of the appearance, pen and ink techniques and creative spirit. And what factors influenced his. Because Huang Binhong was not the first painter to explore the “ Lush and Resplendent, Full and Round ” in the history of Chinese painting. The author will compare the Huang Binhong and the predecessors of the landscape. To clarify what was a new reading of“Lush and Resplendent, Full and Round”Landscape Painting by Huang Binhong.
This article is divided into chapters. The first chapter is the introduction, which contains research topic, literature review and analysis, to study the scope and sources of information. The second chapter is compiled Huang Binhong’s landscape development. The author based on the time of Huang Binhong “ Lush and Resplendent, Full and Round ” style points as the dividing line. The author divided Haung Binhong's painting career is divided into two stages, and to discuss. I studied epigraphy document, the Northern Song Dynasty painting and modern consciousness ,which affected Huanf Binhong. The fourth chapter is is to compare Huang Gongwang, Dong Qichang, four of the early Qing Wang, and Huang Binhong’s “ Lush and Resplendent, Full and Round ”, to clarify what was a new reading of“Lush and Resplendent, Full and Round”Landscape Painting by Huang Binhong. The fifth chapter is the conclusion.
|
|---|
