| Summary: | 碩士 === 靜宜大學 === 台灣文學系 === 100 === This article focused on the novel 〝Ju Guang Sheng Yan〞. In the course of the novel are stories of ethnic groups from the provinces-spindle, and the derivative of ethnic conflict as well as modern women's intentions. Su-Fen Tsai is a very popular local female writers, their works that make her famous the 〝People in Salt-pan〞created the impression of her native writers, but she actually writing parts of the subject matter goes beyond the traditional vernacular. External province had his early works in the Community interest of the story.
This article focuses on several important points, first of all, is how the 〝Ju Guang Sheng Yan〞was "Pang Ta-Chien" series of novels on the basis of the novel? Besides ethnic groups from the provinces female part of personal growth and national identity? Last is a modern woman's passion and writing, dialectical relationships between cuisine? As opposed to " Pang Ta-Chien " series of novels, the〝Ju Guang Sheng Yan〞was added on the basis of several factors and developed into a novel. In part of the form and structure, can be divided into parking within the structure, and niece of Po-Chen stories outside the structure of the story, but to each other in the internal and external structure involved, such a complex structure constitutes the schema of 〝Ju Guang Sheng Yan〞. Within the structure, Po-Chen story of joining the Chu-Tzu the role of woman in some, so here, apart from see Po-Chen parking this mainlander women's self-growth part of the woman, more can be found with the imbroglio between provincial woman Chu-Tzu, and derived their implied part of ethnic conflict and national identity. And niece this role focuses on parts that are written in their lust, compare special is to cuisine linked with the lust, and addresses of passion and writing relationship, eventually returning to a love of writing and writing into one concept.
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