| Summary: | 碩士 === 東吳大學 === 音樂學系 === 100 === Abstract
This thesis is engaged in research for Wolfgang Amadeus Mozart (1756-1791) two "g minor Symphony" (K.183) (K.550).These two pieces were issured before the late classical period. "g minor Symphony" (K.183) is a seventeen years old (1773) work, "g minor Symphony" (K.550) is a thirty-year-old (1788) work, The gap is fifteen years. The melody, motive can be seen in Mozart's music from the Beginning of the period to maturity of different styles. So the future of music learners are engaged in research for this subject.
These two works of Mozart symphonies are divided in two stages: First, in the early 1773 works are consisted Baroque (Baroque1600-1750) musical elements. The second, post-1788 works of Italian composing style has been escaped. Against this background, the instrumentation, orchestration, harmony, structure, form analysis all have a history of evolution.
The three chapters of this thesis are discussed the "g minor Symphony" (K.183) (K.550). The first chapter is an introduction. The second chapter is the explanation of the historical background and the music background of Mozart. The third chapter is the comparison and analyzation of "g Minor Symphony "(K.183) (K.550). And through the analysis of their views on the use of charts, music analysis and music through the explanation of grammar, so that the integrity of the music interpreted more completely. I hope this thesis can help the readers to understand Mozart’s creative style, technique and musical ideas out of diversity.
|
|---|
