Color my life with the chaos of trouble— The Study on Application Design in Superg

• Main Authors: Yi-Yun Lin, 林宜筠
• Other Authors: 郭挹芬
• Format: Others
• Language: zh-TW
• Published: 2012
• Online Access: http://ndltd.ncl.edu.tw/handle/63500363039053061262

碩士 === 樹德科技大學 === 應用設計研究所 === 100 === The study relates to the researcher’s own fantasy about life by presenting the multiple appearances that our new generations has with their humorous viewpoint and weirdo symbol rhythm and explaining the contemporary weirdo fantasy life with their free styles. Small events with little irony are made to present their own realization about modern people’s virtual emotions and the appearances shown in our chaotic life by presenting colorful visual symbols in a Supergraphic environment and converting design images into applied products with performance with complex devices to state the chaotic situation nowadays and to present its life styles escaping from the frame constraint on two-dimensional surface and free experimental invention with interesting concept elements and philosophic attitude of self-corresponding to explain this chaotic and complicated contemporary life. The invention study initially is researched by documents collection to explore the development and changing of Supergraphic and also to carry out analyzing on related art design application to seize its forms of performance and further supporting with related theory of study – weirdo culture. Its discussion of innovation is based on the complex media performance techniques and the concept of device art. Series works including ”Take A Little Trip”, “Do The DANCE”, and “Animal Party” are the visual images applied design of ”Great Parade of Weirdo objects” implemented and themed on the concept of a mini-festival with concept of complex media devices by applying optical grating media, image projection and digital printing technique to make Optical Grating Wall Sticker,, Experimental Animation and Printing Soft Sculpture. It makes the images components with vitality grow in the environmental spaces to build up festival mini party existing in such environment, expecting to arise the viewers’ responses by multiple-sense symbols as well as to create self-projective interactive dialogues and generate interactive and self-injective dialogues.