Applying Paiwan Cultural Images to Styling and Ornament Designs

碩士 === 樹德科技大學 === 應用設計研究所 === 100 === Based on the government’s efforts in promoting the cultural and creative industry, studies on aboriginal cultures have mushroomed in recent years. Among all of the aboriginal cultures in Taiwan, the achievement of Paiwan crafts and arts is particularly remarkabl...

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Main Authors: HO CHIA HUI, 何嘉惠
Other Authors: 朱維政
Format: Others
Language:zh-TW
Published: 2012
Online Access:http://ndltd.ncl.edu.tw/handle/61537578729481315631
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spelling ndltd-TW-100STU056190082015-10-13T21:17:24Z http://ndltd.ncl.edu.tw/handle/61537578729481315631 Applying Paiwan Cultural Images to Styling and Ornament Designs 以排灣族文化意象應用於造型與飾品之創作設計 HO CHIA HUI 何嘉惠 碩士 樹德科技大學 應用設計研究所 100 Based on the government’s efforts in promoting the cultural and creative industry, studies on aboriginal cultures have mushroomed in recent years. Among all of the aboriginal cultures in Taiwan, the achievement of Paiwan crafts and arts is particularly remarkable. Its cultural elements feature a variety of totems and patterns that carry rich cultural meanings. The most representative totem is the pattern of the hundred- pacer, a symbol of nobility; it plays an important role in Paiwan culture. As ethnic style becomes a global trend in the realm of fashion, elements of aboriginal cultures are frequently incorporated into clothing and artworks. Hence, this study aims to apply Paiwan cultural elements to styling and ornament designs in order to combine traditional cultures and modern images for creation. This study is carried out in four phases. Phase one adopts documentary analysis to gain an understanding of Paiwan culture, and pictures of hundred-pacer patterns are collected to serve as a source for inspiration. Phase two extract elements from hundred- pacers, and converts them for design. Phase three combines the converted elements and uses modern materials and skills for creation. The results include five sets of creations: Outstanding Beauty, Agile Phantom, Geometric Ripple, Time of Wealth, and Fashion of the Wild. The creations are ornaments, styling and total –look design. Phase four focuses on the verification of the creations; documentary analysis is adopted to collect appropriate adjectives, and five sets of them are selected through expert interviews. Finally, semantic analysis is used on 200 questionnaires to explore interviewees’ perceptions of the Paiwan cultural images applied in the creations. This study shows that the interviewees generally perceive a sense of charm, wildness, fashion, splendor, refreshment, intelligence and gracefulness. The interviewees’ evaluations are highly consistent with the concept of the creations. 朱維政 2012 學位論文 ; thesis 138 zh-TW
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language zh-TW
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description 碩士 === 樹德科技大學 === 應用設計研究所 === 100 === Based on the government’s efforts in promoting the cultural and creative industry, studies on aboriginal cultures have mushroomed in recent years. Among all of the aboriginal cultures in Taiwan, the achievement of Paiwan crafts and arts is particularly remarkable. Its cultural elements feature a variety of totems and patterns that carry rich cultural meanings. The most representative totem is the pattern of the hundred- pacer, a symbol of nobility; it plays an important role in Paiwan culture. As ethnic style becomes a global trend in the realm of fashion, elements of aboriginal cultures are frequently incorporated into clothing and artworks. Hence, this study aims to apply Paiwan cultural elements to styling and ornament designs in order to combine traditional cultures and modern images for creation. This study is carried out in four phases. Phase one adopts documentary analysis to gain an understanding of Paiwan culture, and pictures of hundred-pacer patterns are collected to serve as a source for inspiration. Phase two extract elements from hundred- pacers, and converts them for design. Phase three combines the converted elements and uses modern materials and skills for creation. The results include five sets of creations: Outstanding Beauty, Agile Phantom, Geometric Ripple, Time of Wealth, and Fashion of the Wild. The creations are ornaments, styling and total –look design. Phase four focuses on the verification of the creations; documentary analysis is adopted to collect appropriate adjectives, and five sets of them are selected through expert interviews. Finally, semantic analysis is used on 200 questionnaires to explore interviewees’ perceptions of the Paiwan cultural images applied in the creations. This study shows that the interviewees generally perceive a sense of charm, wildness, fashion, splendor, refreshment, intelligence and gracefulness. The interviewees’ evaluations are highly consistent with the concept of the creations.
author2 朱維政
author_facet 朱維政
HO CHIA HUI
何嘉惠
author HO CHIA HUI
何嘉惠
spellingShingle HO CHIA HUI
何嘉惠
Applying Paiwan Cultural Images to Styling and Ornament Designs
author_sort HO CHIA HUI
title Applying Paiwan Cultural Images to Styling and Ornament Designs
title_short Applying Paiwan Cultural Images to Styling and Ornament Designs
title_full Applying Paiwan Cultural Images to Styling and Ornament Designs
title_fullStr Applying Paiwan Cultural Images to Styling and Ornament Designs
title_full_unstemmed Applying Paiwan Cultural Images to Styling and Ornament Designs
title_sort applying paiwan cultural images to styling and ornament designs
publishDate 2012
url http://ndltd.ncl.edu.tw/handle/61537578729481315631
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