| Summary: | 碩士 === 淡江大學 === 漢語文化暨文獻資源研究所碩士班 === 100 === The characteristic of Chinese drawings is integration of human and nature. Wu-Zhen artfully presents his unique personality and his feeling of life and nature into “Mo-chu-pu”. In order to better know Wu-Zhen’s creative thinking and aesthetic feeling, we have to investigate his constitution of thinking, cultural environment and art experience. So we can enjoy his works in deep way. Beauty and creative value of “Mo-chu-pu” is not only various shapes of bamboos but also internal and overall momentum, charm, creation and morality. Besides investigate We-Zhen’s birth and life, this thesis analyzes the drawings in “Mo-chu-pu” according to Wu-Zhen’s personal beauty sense. For example bamboo shapes, appearance and construction of a picture, movement of painting, usage of ink and its meaning and intension. Then we can get closer to a master’s bamboo painting vision and absolute masterly caliber.
The thesis is divided in to 6 chapters. The first chapter describes research motive, literature reviews, research methods and research range. Chapter 2 discusses art development and main characteristics of Chinese penmanship and drawing, relative essays and different sects. Then we can understand art value and meaning of Wu-Zhen “Mo-chu-pu” in Chinese bamboo painting field. And discuss the relation between traditional bookman and traditional Chinese bamboo painting in broad sense. Chapter 3 discusses Wu-Zhen’s birth and life and his painting and penmanship works. Especially we compare “Yi-shih-wu-gong-mu-ming” and “Yi-men-wu-shih-pu” so that we make a thorough inquiry of his growing environment, family and tales. Chapter 4 analyzes “Mo-chu-pu” content including construction of pictures, bamboo appearances, movement of painting and usage of ink. And make annotations and classifications of works in the “Mo-chu-pu”. Chapter 5 brings up art perception of “Mo-chu-pu” and further explores the beauty sense created by Wu-Zhen’s Chinese bamboo painting. The last chapter integrates all research results and describes the historical and inheritance value of Wu-Zhen and his bamboo painting to Chinese painting field.
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