| Summary: | 碩士 === 國立臺北藝術大學 === 美術學系碩士在職專班 === 100 === This article is mainly divided into 1) Time background and insensitive living spaces; 2) the connection between the environment and creation; 3) self-identity and local-culture experiments; then it searched for the ideal mode of creation according to the topics, creating methods and media for each work.
After the western-worshiping, European trend, Korea- and Japanophile, and "Let''s Go To China", what else do we have left?
Your childhood aesthetic experience and development was from comic book shops, and your past and favorite things were from the out-coming culture shock? Woke up one day realizing you''re living at the fringe? Can''t remember what the fine-art education left you? Can you feel it? Can''t figure it out where you belong? Contemporary art is the method and practice I try to answer with; make the world a toy, change the way we look at the world and environment, think about the misty issues of cultures, and create new cultures in every work and creation, so that we can establish our local cultural aesthetics and experiences.
In the creating progress of photography, we tended to avoid the imperfect corners and bad habits, and present only beautiful compositions. After repeated trying, I vigilantly realized that we shouldn''t seek only beauty but also reflect the environment and habits in our daily lives; furthermore, to look right into our insensitiveness. The fine-art training was only for the creation to beautify the environment? Or to highlight the vitality of the people behind the ugliness? This article provides different discussion and orientation for a variety of environmental issues, such as urban landscape, island type, community lives and so on.
By a large number of real-world photos and digital synthesis, the seemingly real and surrealistic landscapes of Taiwan were created. With the images of the survivals exaggerated by the record nature of photography and flexibility of digital images, we are able to think about our time and situation by the process of digital effort and field spirit, to present the local cultural world, to transform images into toys, and to find the possibility of our world.
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