| Summary: | 碩士 === 國立臺北藝術大學 === 傳統音樂學系碩士班 === 100 === In this thesis, the main purpose of this essay is to understand the connotation of Pak-Koan-hi action posture through Zhengdan performance in “Jhan Jing Tang” of actor PENG, SHIOU-JING in.
PENG, SHIOU-JING was born in 1940.She has involved in the Pak-Koan-hi for over 50 years experience in stage performance since she was fifteen years old. In addition to performing, she was devoted in the teaching of Pak-Koan-hi in Hsinchu and Changhua since 1993
This thesis records the experienced of learning Pak-Koan-hi and interviews with professor PENG.
Realize the learning process and teaching experience in Pak-Koan-hi.
In accordance with action posture of Zhengdan in" Jhan Jing Tang " by illustrations, induction and sorting. Looking forward this thesis could become the basic record of Pak-Koan action posture in near future.
This thesis divided into five chapters, the first chapter is an introduction, the second chapter is the opera career of PENG, SHIOU-JING.It records growth background ,the process of studying opera and the drama teaching career.
In the third chapter the oral the female roles posture of record, the main good female role PENG, SHIOU-JING static posture
The fourth chapter records Pak-Koan-hi " Jhan Jing Tang "as a sample through the way of the performance by PENG, SHIOU-JING’s action posture and singing and the fifth chapter is the conclusion of the thesis .
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