The Working Method of Musical and Dramatic Techniques of Brecht in “Spring Awakening”

• Main Authors: Jo-Shan Kao, 高若珊
• Other Authors: 馬汀尼
• Format: Others
• Language: zh-TW
• Published: 2012
• Online Access: http://ndltd.ncl.edu.tw/handle/b9rqs9

碩士 === 國立臺北藝術大學 === 劇場藝術創作研究所表演組 === 100 === This dissertation can be categorized into three chapters. First, ‘The main stream Broadway Musical and Spring Awakening’, which is going to discuss about the history of Broadway musicals, on the other hand, analyzing the characteristics and differences of Spring Awakening while comparing it to the main stream. The Second chapter of the article, ‘Frank Wedekind’s Germany and Wong Yuen Man’s Hong Kong Taiwan’ will be searching the connection between the original script author and the director through tracing back the background of their own, and further discuss the method and direction applied in this adaptation. Last but not least, the last chapter, ‘The Bertolt Brecht Theatre’, focuses on the belief and the special acting training of Bertolt Brecht, through analyzing the methods applied in Spring Wakening, this chapter discuss the possibility of combining musical with Bertolt Brecht theatre.