Floating between reality and abstractness

• Main Authors: Hao Su, 蘇好
• Other Authors: Hsiao-Mei Chung
• Format: Others
• Language: zh-TW
• Published: 2011
• Online Access: http://ndltd.ncl.edu.tw/handle/50913116617320551344

碩士 === 台南應用科技大學 === 美術研究所 === 100 === Starting from searching, confirming the direction into developing the series of art creation in 2008, until the finish of the essay “Floating between reality and abstractness” in 2012-- all the hardworking finally put an end. The essay inscribed the observation of the circle state caused by energy from traveling and living world, then transformed this moving thought into an art creation of ceramic. The main topic of the article described the feeling of reality and abstractness inspired by the lightness to the space, the “Qi”(Vital energy) which float between reality and abstractness like wind, water brought circles to the world. The concept of Zhuangzi, which contrasted with western concept, indicated that there is no dualism but an unity of opposites, the state could be performed from personal sensation into existing and touchable object--The object with movement. The contents were formed by six chapters : travel, expanding new horizons after predecessors, experiencing the “Taoism” of nature by Zhuangai philosophy, the awareness state of creating, the expressions and methods of creating to conclusion. Implemented the concepts mentioned above within the creations, such as “the great mountains”, “whirling corals”, “glossy flowers”, “congealed clouds”, “flowing water”, “moving clouds”. The main structure was rebuilt by contemporary awareness, redefined the travel experiences, and fulfilled the observation of floating world by “soil”. After three years of programs in research institute, we combined our passions with soil no matter day and night, tried our best to gain more awareness on the body sensation and the materials, and found the new way out to create---the research of the lines in three-dimensional objects.