Material self - Explicitness and Implicitness

• Main Authors: Hung-en Chen, 陳鴻恩
• Other Authors: Tzu-kuey Hsu
• Format: Others
• Language: zh-TW
• Published: 2012
• Online Access: http://ndltd.ncl.edu.tw/handle/22854622644130664153

碩士 === 台南應用科技大學 === 美術研究所 === 100 === Objects and materials can often provoke or hold a strong sense of emotional connection for some people. I believe that the reality of human nature is that we are somatic beings. Within our world all moments in life and the objects around us merely an extension of human existence that convey human activity and knowledge. The concepts of explicit and implicit are of important here. The Explicitness of human existence refers to our conciousness of learning, growth and personal development. The ‘Implicitness’ refers to the unconscious and automatic dialogue between the mind and the body, flesh and spirit .These elements of human nature are what make up our experience of life, thought and emotion, determining our relationship with ourselves as well as the objects and people around us. This thesis is comprised of live chapters. Chapter one, introduction; this will introduce my personal viewpoint, aims and the implications of my creative art works. Chapter two, fund of theory, aims to discuss the question of human nature verses the extent of it’s influence on us , imitation verse creation, ‘Super ego’ thinking and the humans influence in artistic creation. Chapter three, the form of performance, will explain the difference between plain image and stereoscopic creation and the exhibition of their merging through the use of digital image and stereoscopic materials. Chapter four, discussion, analyses the evolution of ideas within artistic creation and their significance. Chapter five will concluded my findings and study.