Performance Practice and Interpretation Analysis of Beethoven Sonata for Piano and Violin No. 4 in A Minor, Op. 23
碩士 === 台南應用科技大學 === 音樂研究所 === 100 === The main purpose of this paper is to analyze Beethoven’s Sonata for Piano and Violin No. 4 in A Minor, Op. 23. This paper analyzes the work in terms of its compositional background, musical style, structural design, as well as its innovative use of dynamics and...
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ndltd-TW-100TWCA52480132015-10-13T22:01:28Z http://ndltd.ncl.edu.tw/handle/21609391818343972355 Performance Practice and Interpretation Analysis of Beethoven Sonata for Piano and Violin No. 4 in A Minor, Op. 23 貝多芬A小調第四號小提琴奏鳴曲,作品23之研究與詮釋 Yun-Yan Hsieh 謝昀晏 碩士 台南應用科技大學 音樂研究所 100 The main purpose of this paper is to analyze Beethoven’s Sonata for Piano and Violin No. 4 in A Minor, Op. 23. This paper analyzes the work in terms of its compositional background, musical style, structural design, as well as its innovative use of dynamics and harmonic progressions. It also investigates the cooperation between the violin and the piano, and how the two instruments move in dynamic changes and individual melodic lines to create the balance of emotions in actual performance. It is hoped that, through careful examination of this composition, one can provide a performance in the spirit of Beethoven’s original intention for the work with a sensible interpretation of one’s own. Chian-Fuh Hong 洪千富 2011 學位論文 ; thesis 79 zh-TW |
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碩士 === 台南應用科技大學 === 音樂研究所 === 100 === The main purpose of this paper is to analyze Beethoven’s Sonata for Piano and Violin No. 4 in A Minor, Op. 23. This paper analyzes the work in terms of its compositional background, musical style, structural design, as well as its innovative use of dynamics and harmonic progressions. It also investigates the cooperation between the violin and the piano, and how the two instruments move in dynamic changes and individual melodic lines to create the balance of emotions in actual performance. It is hoped that, through careful examination of this composition, one can provide a performance in the spirit of Beethoven’s original intention for the work with a sensible interpretation of one’s own.
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Chian-Fuh Hong |
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Chian-Fuh Hong Yun-Yan Hsieh 謝昀晏 |
author |
Yun-Yan Hsieh 謝昀晏 |
spellingShingle |
Yun-Yan Hsieh 謝昀晏 Performance Practice and Interpretation Analysis of Beethoven Sonata for Piano and Violin No. 4 in A Minor, Op. 23 |
author_sort |
Yun-Yan Hsieh |
title |
Performance Practice and Interpretation Analysis of Beethoven Sonata for Piano and Violin No. 4 in A Minor, Op. 23 |
title_short |
Performance Practice and Interpretation Analysis of Beethoven Sonata for Piano and Violin No. 4 in A Minor, Op. 23 |
title_full |
Performance Practice and Interpretation Analysis of Beethoven Sonata for Piano and Violin No. 4 in A Minor, Op. 23 |
title_fullStr |
Performance Practice and Interpretation Analysis of Beethoven Sonata for Piano and Violin No. 4 in A Minor, Op. 23 |
title_full_unstemmed |
Performance Practice and Interpretation Analysis of Beethoven Sonata for Piano and Violin No. 4 in A Minor, Op. 23 |
title_sort |
performance practice and interpretation analysis of beethoven sonata for piano and violin no. 4 in a minor, op. 23 |
publishDate |
2011 |
url |
http://ndltd.ncl.edu.tw/handle/21609391818343972355 |
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