A Research on Interactive Instructionin Rhacophorus Arvalis at Sankandian for Pupils

碩士 === 台南應用科技大學 === 應用設計研究所 === 100 === At this time when cultural and creative industries around the world flourish and the global environment changes, cultural and creative industries should not only promote the special features of Taiwan but also support ecological conservation, contributing...

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Bibliographic Details
Main Authors: Feng – Chun Lin, 林鳳君
Other Authors: 龍宣煌
Format: Others
Language:zh-TW
Published: 2011
Online Access:http://ndltd.ncl.edu.tw/handle/91818107622337738467
Description
Summary:碩士 === 台南應用科技大學 === 應用設計研究所 === 100 === At this time when cultural and creative industries around the world flourish and the global environment changes, cultural and creative industries should not only promote the special features of Taiwan but also support ecological conservation, contributing to protecting the earth. The present study is a research on teaching. The subjects are local pupils in Yongkang District in Tainan. In this study, a curriculum in art creation across multiple fields covering Sankandian and Rhacophorus arvalis is designed. The history and ecological features of Sankandian in Yongkang are integrated into the teaching of art in this curriculum. An experiment on group teaching is combined with the bionic shape of Rhacophorus arvalis to understand the effect of the teaching of bionic shape design. Local cultural and creative products are developed and ecological conservation promoted through the curriculum in creation. The following are the results of the present study on the experiment on teaching: 1.A framework of the teaching method of bionic shapes was constructed. (1)Applied was the approach of “from the inside to the outside” in the model of character design in picture books. Bionic structures and functions were first incorporated to understand the construction of the internal structure of the creature. Next, elements of design such as bionic forms, colors, and textures in aesthetic appearances were added. (2)The approach of “from the outside to the inside; then from the inside to the outside” in product design was used. The external shapes of characters in picture books were adopted first. Secondly, the internal construction of the shapes was transformed into the functions of products. Finally, aesthetic appearances were strengthened for the exterior. 2.The model of cultural and creative product design and that of bionic shape design were integrated. With the knowledge of cultural and creative product design and that of bionic design as the basis, the elements of cultural story design and the forms of exterior shapes of “forms, colors, and textures” were established. Following that, the images of cultural stories were adopted with the application of bionic structures and bionic functions combined. Finally, the functions of cultural and creative products were symbolically realized. 3.Results of the experiment on group teaching of bionic shapes: an independent sample t-test of a self-designed questionnaire was run via SPSS. The results indicated that the ability to express the integral shapes of Rhacophorus arvalis of the experiment group was significantly better than that of the control group. 4.Pupils participated in the model of cultural and creative industry design and developed cultural and creative products on Rhacophorus arvalis that carry the images of Sankandian, The concept of ecological conservation of the next generation was rooted and practiced and breeding the seedlings in conservation and cultural and creative.