| Summary: | 碩士 === 中原大學 === 建築研究所 === 101 === The spatial pattern agglomerated in the time and space field represents not only a new experience and cognition of the crowd for a place but also charming features in the urban landscape. By Taiwan's traditional festivals which are continued in the landscape patterns cultivated by seasons and solar terms, the city is transformed to show the levels of gazing, expectations, aesthetics and consumption in the contemporary fields, to link the surface of life, the space, and the modern society.
In this study, in view of the "Taiwan Lantern Festival" which is led by the country and held by local counties and cities for years, the spatial production similar to traditional ceremonies is made with the background of the night sky. Corresponding to the symbolized large lanterns and the collaged exhibit space of themes, the activity fields concerned in the regional flow are virtually extended. How do they become the "dynamic consumption" production of the space depending and derived in the vision in the kingdom of the timeliness? How do such celebrations continue to evolve in the type of the fiesta and transform into the real paradise in life in the characterization process of the modern mechanisms, technology, and aesthetic? In this study, through the case study, literature and image data aggregation of the 2011 Miaoli Taiwan Lantern Festival, it is tried to analyze the criticism building and cultural imagination of the theme park under the constraints of the deviation from the social system, so that it helps understand how the cultural activities are consumed and the economic models are created and respond the new space significance of the modern society reproduction. Besides, from the field surveys and interviews, the space powers that the country dominates traditional practices are gradually constructed. Through the transformation of traditions, the city experiences of the temporary architecture and images are created. By that, the value/strategy of the Lantern Festival, the labor constraints of the local space sharing, and the material supports of the city co-construction are liked under the promotion of globalization, and the spatial image recognition of people can be brought in the combination of industry, the consumer networks of different "trends," and the festival's marketing oriention.
When looking at the city's appearance of the "Taiwan Lantern Festival" space, the microscopic buildings in a flash are changed like the mirror. When the space combines the social phenomena of both sides, it is related to the different developments in life. Time allows individuals for the virtual and physical rivalry, which attaches to the contemporary urban consumption age seriously.
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