拮抗－加減之間的無限迴圈 黃敏淳繪畫創作論述

• Main Author: 黃敏淳
• Other Authors: 謝鴻均
• Language: zh-TW
• Published: 2013
• Online Access: http://ndltd.ncl.edu.tw/handle/sb7eyn

碩士 === 國立新竹教育大學 === 藝術教育與創作碩士班 === 101 === Abstract 　In this writing I will explore the concept about Antagonism in my creative paintings from 2008’s "The Dark Side" (plate 1) to 2012 ‘s research of "Beyond The Side" series of works (plate69-97). I will explain the internal shadow through plus-and-minus painting texture to call the dualism of positive and negative sides in my life essences. I will also go through the creation and writing to undertake an internal transformation and expression of the odyssey and attempts to infuse the body awareness. The perception of undertaking and receiving at the time will be emphasized in the hope of bestowing fresh viewpoint and life upon work creation. There will be five chapters: In Chapter I, Introduction, I will portray the research motivation, research contents as well as research methods. In Chapter II, Evolution of the Creation Path, I will portray the origin and course of the creativity thinking. The study of shadow in Jungian Psychology is taken to analyze the correlation between oneself and one's shadow and explain the derivation of the representative symbols and their sizes in the works and their correlation with the clumped substances. The big stones of the Greek myth Xue Sievers are used as the metaphor to interpret the habitual stokes and patterns in the works. This chapter also brings up "Antagonism" in the discussion of the work creation and its spiritual status. In Chapter III, In Between - Analysis of the Painting, I will explore painting vocabulary through diverse approach. The repeated strokes back and forth, along with the plus-and-minus texture, will be infused with the body awareness to explore the variation of the creation forms. In Chapter IV, Analysis of the Works, I will elaborate four series works of "In Between", "As It Is", "That Is", and "Beyond the Side". I’ll also discourse the process of art making and the experience I’ve learned from the participating of several exhibitions. In Chapter V, Summary, I will conclude the creative concept I learned from the graduate study and clarify the current bearing of the creativity works and the outlook of the future creations.