The Beauty of Chinese Illusion－The Study of Watercolor Painting by Li Bao-Chung

• Main Authors: Bao-chung Li, 李寶春
• Other Authors: Liu Li-Min
• Format: Others
• Language: zh-TW
• Published: 2012
• Online Access: http://ndltd.ncl.edu.tw/handle/94jstz

碩士 === 國立屏東教育大學 === 視覺藝術學系 === 101 === The objective of this research is to explore the beauty of Chinese illusion. By practicing momentum、rhyme、scene and realm in the creation series of Li bao chung . Through the course of research, the author also tried to combine western creative material to expand aesthetic thought of Chinese culture. By thinking out of a general composition style , displaying the old-fashioned form of painting composition, showing of Chinese classical symbol、situation and interest. The goals of the research are generalized as follows： 1. The research is to observe Chinese classical aesthetic perspective by analyzing Chinese Cultural trends of thought. 2. According to artistic conception of Chinese classical literature,to present the combination of picture and words by watercolor. 3. According to imagery pattern of Chinese classical panting, to convert the whole new symbols of author’s artistic creation. 4.Refining the essence of Chinese paintings, to present the new vision of author’s creation series. This series of research found that the realm of watercolor creation should extend to endless, not be confined by scant materials or isolated situation. If an artistic creation reflects the consummate realm of life, it is the incarnation of “vivid spirit and charm”. When an Artist obtains freedom from Painting rules, and establishes originality, that is the highest state of diversification. I attempt to enrich the content with analysis as well as explanation of Chinese aesthetic viewpoints, which evolved from concrete and metaphysical images. By doing so, instead of simply appreciating its sublime beauty in the context of historical changes, I hope to challenge the “fixed form” traditionally associated with the idea of art, break the rigid boundary between traditional painting and the general impression of Chinese art. In my opinion, the beauty of Chinese illusion could be ubiquitous and simple to perceive on author’s creation series (1) Imaginary Landscape and (2) Unreal Gully of Desk, a total of 16 works. All we have to do is to see it with our hearts and souls.