| Summary: | 碩士 === 國立臺中教育大學 === 音樂學系碩士班 === 101 === In this thesis, artistic interaction is a starting point to explore the ideas and thoughts of the material correlation of foreign paintings and music from the nineteenth century, and make the analysis and discussions from the works of a number of composers to transform and put the use of the theory of colors and the ideas of paintings to his own musical compositions. And synthesizes them into the" infrastructure", "descriptive" and "spiritual" aspects of the colors of music and make the discussions through these aspects.
Chapter I: Introduction: Explain the scope, motivation and purpose of the study.
Chapter II: Discussions of music productions and painting media: Starts from the "interaction of music and painting", and then extend to the "parallel thinking of modern painting and music creation."
Chapter III: The color and the forming principles of musical creation: Explore the painting elements of music productions through "the design of the color of music" and "the forming principles of the color of music."
Chapter IV: Practice and review of own music productions: Doing analysis and review of the compositions created after research: "Binding" and "Separation", "Reflected Lake by floating light "and "Dancing Falling Flowers."
Chapter V: Conclusion: Summarize the analysis and review the creations.
Keywords: artistic interaction, ideas, infrastructure, descriptive, spirituality.
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