| Summary: | 碩士 === 國立臺南大學 === 美術學系碩士班 === 101 === This dissertation is based on the author''s literal discourse on the creations from 2010 to 2012.The content includes: motivations, basic concepts, thinking patterns, stages of development, early experimental procedures and records of the main creations, connotation analysis, expressions in different creating forms; finally the present creating stages as a reflection for the shaping of future creation.
Motivations and objectives are mainly based on the author''s own experiences and the surrounding environment of the time background.Investigating the current social phenomenons through each phenomenology master''s works, integrating the common context described in them, confirming the core thoughts of the creators.
The dissertation''s content framework, main chapters includes Introduction: explaining the research motivations and objectives, research methods, scope and framework of the research.Chapter I: document investigation, the research contents are related to movies, media and the effects and problems of the simulation.Chapter II: Forms and procedures of the creation, also include a three-staged form analysis.Chapter III: Context of the creation, stage discussion of before, now and after, discussion of the transition with the influences from related artists; records of the media and techniques used and the creating procedure; integrating the aspects from the chapters above, and put out a series analysis of the main creations of the dissertation.Conclusion: Concluding discussions and reflection on the research, review and bring up the possibilities and directions of future creation developing.
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