Boundless Emptiness．Clouds Roam－The Discourse of Lai, Hsiu-Mei''s Creation

• Main Authors: Hsiu-mei Lai, 賴秀玫
• Other Authors: none
• Format: Others
• Language: zh-TW
• Published: 2013
• Online Access: http://ndltd.ncl.edu.tw/handle/d7ganj

碩士 === 國立臺南大學 === 美術學系視覺藝術教學碩士班 === 101 === The paper is a discourse made by the author for the research coverage on the creation works during the period between 2011 and 2012. With its contents, they are to make retrospect on the creation motivations and thinking patterns from the individual persons, next, on the artistic theories, to make investigations of relevance in combination with creation ideas, lastly, to make individual analysis and explanations on the works. For the creation motivations and purpose, two issues are put together that are with profound caring from the individual persons; one is the observations on how the large universe operates in the natural world; and another is the sentiments triggered by the actual experiences in real life, moreover, during the in-depth examinations of poises as well as activities on the myriad facades of the clouds, there are consequently the insights and perspectives to the stances in living. Amongst them, there are with applications of aesthetics, science, literature, history of art, as well as artistic theories, to make verification on the creation thinking and patterns from the individual persons; Initially, to cut in from the interactions between human beings and the nature, as well as the observations and sentiments on the sky, next, from the researches for both of forms and theories on the history of art as well as artistic creations, in which to consist of painting space, time and space, as well as the trajectory, lines and visual movements at the time of creations, lastly, by combining the creation ideas of the author, to state the birth on art from the encounters between the subjective and objective standpoints. The construct written in the paper consists of chapters, mainly as, introduction, three chapters and conclusion. In the section of introduction, to illustrate the research motivation and purpose, research method, as well as to define the research coverage of the creations and the research constructs for the various chapters. In the first chapter, to make statement from the onset of the creation topic-“Sky”, with investigations on the similarities and encounters between human beings and the nature, including the experiences from the combination of both subjective and objective outlooks, the observations made by science on the sky, as well as to state the encountering sentiments with the blending of emotions from human beings. In the second chapter, to make points on the activities of artistic birth after profound encountering between both of the subjective and objective standpoints, to make investigation for paintings in relation to sky on the history of art, as well as to make explanations on both of forms and viewpoints for the topic creation by the author. In the third chapter, with media techniques and creation implementation, to put emphasis on the media techniques used for further analysis, additionally, with combination to the creation ideas and forms in the previous chapters, in comparison to the creation process and content of the works, to further make analysis on the series of works. In the section of conclusion, there are comprehensive summarizations on the researches of the paper.