Construct the Image of Poetic Philosophy—The Work Series of I-Feng, Chen “Space” and “White”

碩士 === 國立臺灣師範大學 === 美術學系 === 101 === The creation of this research is “Construct the Image of Poetic Philosophy”. It is to investigate how the poetic can be constructed and experienced through visual art. The artist use “phenomenology of Gaston Bachelard” to explore the skeleton of poetry image...

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Bibliographic Details
Main Authors: Chen I Feng, 陳逸鋒
Other Authors: 朱友意
Format: Others
Language:zh-TW
Published: 2013
Online Access:http://ndltd.ncl.edu.tw/handle/ctch26
Description
Summary:碩士 === 國立臺灣師範大學 === 美術學系 === 101 === The creation of this research is “Construct the Image of Poetic Philosophy”. It is to investigate how the poetic can be constructed and experienced through visual art. The artist use “phenomenology of Gaston Bachelard” to explore the skeleton of poetry image and art history. By doing so, the artist would format the image of self creation. Concerning with the difficulty of reveling the poetry logically, source back to poetry itself and it’s feelings would be better. Poetic flavor can perceive due to scenario acceptance, and it would not appear in a sudden. To acquire the poetic flavor, we should enter deep into the atmosphere. To continue, the feelings can be extended and reverberate in the fresh poetic imaginary. It is meaningless to research the nature of phenomenology in experience of poetic flavor. It is only when substance includes inside the scenario that has the value to be cognized, besides, the imagination of space and substance should go former than thinking. The creation of form of expression is the transition point of poetic flavor. Through the investigation of art history’s skeleton can clarify the fountainhead of artistic form. There are several impact factors of artist’s mentality and painting form expression: from linear perspective of Renaissance, image close-up of Neorealism photography, painting class eliminate of academic art, image resemblance of Realism, image perception’s integration of Paul Cézanne, photo painting of Gerhard Richter’s indifferently emotion and so on. The working series of “Space” and “White” use oil painting as a main media. The use of materials is also an important issue discussed in this research. From the substrate’s select, primer layer’s process, painting layer’s produce, and protective layer’s experiment, are all closely connected with the art works. The artist use simple hue and form to model a pure visual experience in these series of works. It’s better to experience delicate materials from pure inner symbolic and simple visual structure. Furthermore, it would reveal the artist’s creative attitude and value of life.