莫札特小提琴與鋼琴奏鳴曲創作風格演變的研究

• Main Author: 呂瑀棻
• Other Authors: 陳漢金
• Format: Others
• Language: zh-TW
• Published: 2013
• Online Access: http://ndltd.ncl.edu.tw/handle/03058794649129266175

碩士 === 國立臺灣師範大學 === 音樂學系 === 101 === The career of Wolfgang Amadeus Mozart (1756-1791) been a composer about 30 years. He had been written the sonata for violin and piano from 1762-1788, across every phrase his life. The source of inspiration is the experience of European countries in tourism, In Paris, Mannheim, London, Hague and other places, he met Johann Schobert (ca. 1720-1767) and Johann Christian Bach (1735-1782), and composed the 32 sonatas. These sonatas show the influence of Mozart, which at different times, include the structure of sonata, the progress of sonata form, the creative Technique. They become an important works to research how Mozart transform his characteristic. At that time, piano replace harpsichord, and turn into the most important keyboard, the sonata for violin and keyboard also had some change at the same time. Since the independence of the piano tone and volume, make the violin change the role of accompaniment. Mozart’s works display the relationship of the two instruments. They are not only the development of a complete set of Mozart sonatas works, but show the creative techniques of architecture from early to mature. Keyboards and violin position from subordination transform to the equal status. Therefore they are important works to study the evolution of violin and keyboard sonatas during this period, and set a model for the creation of the development of musical genres. This thesis focuses on 26 works of Mozart musical form, and the relationship between violin and keyboard, explore how the evolution of creative style during the early to mature in these works.