An Analysis and Interpretation of two Pipa Concertos:Zhou chenglong’s 《Sunset glow at Xishuang banna》 and Gu guanren’s《Hua Mulan 》

• Main Authors: Chen, Yu-Shan, 陳玉山
• Other Authors: Pei, Ling-Chung
• Format: Others
• Language: zh-TW
• Published: 2013
• Online Access: http://ndltd.ncl.edu.tw/handle/12747360218703538569

碩士 === 中國文化大學 === 音樂學系碩士班中國音樂組 === 101 === The pipa Concertos, "Xishuangbanna" and "Milan", the first batch of works created after the Cultural Revolution, had long lasting from the late seventies. In this paper, from the aspect of the musical form analysis, pipa performing technics, and the music interpretation, the study explored the differences and similarities of the two pieces. The dissertation is divided into four chapters: Chapter I “The Introduction”; Chapter II “The Study of Xishuangbanna”; Chapter III The Study of Mulan; Chapter IV “The Conclusion”. In Chapter I, the article indicates the motivation and purpose of this study, the scope and limitations, the research methods, as well as music analysis instructions In Chapter II and III, the in-depth study of "Xishuangbanna" and "Mulan" explore the creative approach of the two first Pipa Concertos, form analysis and performing interpretation. In Chapter IV, a summary of the various sections of the research results is stated, and an analysis of the similarities and differences of these two works is made from different angles oriented, including writing style, creative approach, playing techniques and interpretation. This thesis is considered as a summary, and expected to be a more comprehensive and in-depth Understanding of the pipa art.