Thematic consciousness and characterization studies in Wang An Yi’s Fiction
碩士 === 淡江大學 === 中國文學系碩士在職專班 === 101 === Wang An-Yi is writing numerous works and ever-changing style in Chinese contemporary literature. New era scars across her ideas, seeking root of cultural, pioneer spirit and other literary trend, dubbed "the banner of the New Literature characters"...
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ndltd-TW-101TKU050450472015-10-13T22:35:34Z http://ndltd.ncl.edu.tw/handle/37633475838680585926 Thematic consciousness and characterization studies in Wang An Yi’s Fiction 王安憶小說的主題意識與人物塑造研究 Chiung-Chen Hsu 徐瓊貞 碩士 淡江大學 中國文學系碩士在職專班 101 Wang An-Yi is writing numerous works and ever-changing style in Chinese contemporary literature. New era scars across her ideas, seeking root of cultural, pioneer spirit and other literary trend, dubbed "the banner of the New Literature characters". Careful study of Wang An-Yi''s novels, not only the rich themes, characters can innovate sometimes. This thesis will take Wang An-Yi’s 1990s novel as the research object, the bottleneck encountered by Wang An-Yi''s writing and spiritual crisis, re-examine her work in theme consciousness and portrayal establishment. As Wang An-Yi''s novel has a different period for the same or a similar theme to take a different aspect to cut in and write a chapter as characteristics, therefore, her novels often with different times and with different emphasis directions, For example: the mid-1980s, Continental literature promoting a "seeking cultural roots" movement, Wang also found this trend in the future creation of an important theme – seeking roots, through her "seeking roots" process, to establish herself identity position. In addition, youth intellectual and rural novels were also in her early 80s and the late 90s, early youth intellectual novels focus on describing the wounds of the Cultural Revolution, and in the late 1990s a series of youth intellectual and rural fiction, it presents very different aspect. In addition to the theme of women and cities’ works are recognized as the creative transformation as Wang An-Yi’s destination in1990s. In Wang An-Yi’s writing, novel’s character performance stage are always established in urban and rural two distinct spaces, whether female sexuality, marriage, or even people living phenomena, are staged in the "Shanghai" and stealth behind the stage, and observe rural life in emotional, for sake of humanity aspect, Wang An-Yi also write her a new understanding of the rural village. Wang An-Yi’s novels specialize in real-life story of the people as protagonist, with their every movement, emotions to "reproduction" of people''s lives, and express profound theme ideas, to give readers the real intimate feelings, and thus the ability of people chewing, pondering over and over again. Kun-Yang Yan 顏崑陽 2013 學位論文 ; thesis 143 zh-TW |
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碩士 === 淡江大學 === 中國文學系碩士在職專班 === 101 === Wang An-Yi is writing numerous works and ever-changing style in Chinese contemporary literature. New era scars across her ideas, seeking root of cultural, pioneer spirit and other literary trend, dubbed "the banner of the New Literature characters". Careful study of Wang An-Yi''s novels, not only the rich themes, characters can innovate sometimes. This thesis will take Wang An-Yi’s 1990s novel as the research object, the bottleneck encountered by Wang An-Yi''s writing and spiritual crisis, re-examine her work in theme consciousness and portrayal establishment.
As Wang An-Yi''s novel has a different period for the same or a similar theme to take a different aspect to cut in and write a chapter as characteristics, therefore, her novels often with different times and with different emphasis directions, For example: the mid-1980s, Continental literature promoting a "seeking cultural roots" movement, Wang also found this trend in the future creation of an important theme – seeking roots, through her "seeking roots" process, to establish herself identity position. In addition, youth intellectual and rural novels were also in her early 80s and the late 90s, early youth intellectual novels focus on describing the wounds of the Cultural Revolution, and in the late 1990s a series of youth intellectual and rural fiction, it presents very different aspect. In addition to the theme of women and cities’ works are recognized as the creative transformation as Wang An-Yi’s destination in1990s. In Wang An-Yi’s writing, novel’s character performance stage are always established in urban and rural two distinct spaces, whether female sexuality, marriage, or even people living phenomena, are staged in the "Shanghai" and stealth behind the stage, and observe rural life in emotional, for sake of humanity aspect, Wang An-Yi also write her a new understanding of the rural village. Wang An-Yi’s novels specialize in real-life story of the people as protagonist, with their every movement, emotions to "reproduction" of people''s lives, and express profound theme ideas, to give readers the real intimate feelings, and thus the ability of people chewing, pondering over and over again.
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author2 |
Kun-Yang Yan |
author_facet |
Kun-Yang Yan Chiung-Chen Hsu 徐瓊貞 |
author |
Chiung-Chen Hsu 徐瓊貞 |
spellingShingle |
Chiung-Chen Hsu 徐瓊貞 Thematic consciousness and characterization studies in Wang An Yi’s Fiction |
author_sort |
Chiung-Chen Hsu |
title |
Thematic consciousness and characterization studies in Wang An Yi’s Fiction |
title_short |
Thematic consciousness and characterization studies in Wang An Yi’s Fiction |
title_full |
Thematic consciousness and characterization studies in Wang An Yi’s Fiction |
title_fullStr |
Thematic consciousness and characterization studies in Wang An Yi’s Fiction |
title_full_unstemmed |
Thematic consciousness and characterization studies in Wang An Yi’s Fiction |
title_sort |
thematic consciousness and characterization studies in wang an yi’s fiction |
publishDate |
2013 |
url |
http://ndltd.ncl.edu.tw/handle/37633475838680585926 |
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