Research on Maternal Motives Reflected in Works by Contemporary Taiwanese Women Artists
碩士 === 臺北市立教育大學 === 視覺藝術學系視覺藝術教學碩士學位班 === 101 === Traditionally, women in the patriarchy structure was mostly silent and indifferent party, for the performance of women in the arts are also often seen as a male-dominated art world wrong phenomenon. Feminist theorists offered to the female body and s...
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ndltd-TW-101TMTC56160182016-12-19T04:14:33Z http://ndltd.ncl.edu.tw/handle/95330909740919208556 Research on Maternal Motives Reflected in Works by Contemporary Taiwanese Women Artists 台灣當代女性藝術之母性主題研究 Lee Yi Jean 李伊真 碩士 臺北市立教育大學 視覺藝術學系視覺藝術教學碩士學位班 101 Traditionally, women in the patriarchy structure was mostly silent and indifferent party, for the performance of women in the arts are also often seen as a male-dominated art world wrong phenomenon. Feminist theorists offered to the female body and sensory experience as the mainstay as a deconstruction of patriarchal discourse reactionary, Taiwanese women's movement inherited from the west, many of the outstanding performance in the arts are also more and more attention of the community and recognized. But for women's unique and the negative space is rarely involved in the course of the current scope and can not be snooped by others. This study focuses on Taiwanese female artists conceive and served in the early motherhood issues for discussion, first, the paper explain that woman in traditional primary tending to infants who phenomenon, a woman often due to the pressure of being confined to the invisible ideal motherhood the situation can not be the pursuit of self, and then to sort out the current women's culture and maternity-related writings as a comparison basis for subsequent research. Then the discussion of motherhood in society because of its non-pay, as the nature and become not taken seriously the work of feminists therefore advocate should face female fertility and act motherhood productive forces, re-take the mother's right to speak, to listen to women on their own sound, and western women artists, for example, cite it to maternal / motherhood theme creations. Chapter III and Chapter IV is targeted at five different areas in Taiwan female artists to maternal / motherhood theme of creation is described, and its creation readme, the actual interviews, and reviews of other ways to collect artists found in the theme of motherhood creation of meaning. Currently focused on the theme of female artists including maternity Hong-Juin Shieh, Hsiao-Ching Wang, Tzu-chi Yeh, Cheng-xiu Wu, Yi-jun Chen et al. In these women artists in the creation of tailor Female / pregnancy / motherhood theme Muse artistic creation as the beginning of their creative media, there are paintings, mixed media, photography, ink, performance art, video and other cross-media creation. Hong-Juin Shieh creative theme for their own pregnancy experience themselves and the fetus in the negative space of intimate interaction; Hsiao-Ching Wang as from the beginning of pregnancy, his major life change and the son of the growth process is recorded as a sheet formal family photos; Tzu-chi Yeh in seven months pregnant, in order to explore the meaning of life and the importance of life initiated a performance art; Cheng-xiu Wu the toddler from pregnancy to the child's psychological transformation process into a sheet layers of blooming ink paintings; Yi-jun Chen is lesbian identity, but puts herself is full of motherhood and your partner want to group families simulate pregnancy experience made into a documentary. Finally organize compare five people in the face of motherhood practices and creative difference between the two modes, and their experiences as creators of other women to follow the trajectory. Kao Jung Hsi 高榮禧 2013 學位論文 ; thesis 210 zh-TW |
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碩士 === 臺北市立教育大學 === 視覺藝術學系視覺藝術教學碩士學位班 === 101 === Traditionally, women in the patriarchy structure was mostly silent and indifferent party, for the performance of women in the arts are also often seen as a male-dominated art world wrong phenomenon. Feminist theorists offered to the female body and sensory experience as the mainstay as a deconstruction of patriarchal discourse reactionary, Taiwanese women's movement inherited from the west, many of the outstanding performance in the arts are also more and more attention of the community and recognized. But for women's unique and the negative space is rarely involved in the course of the current scope and can not be snooped by others. This study focuses on Taiwanese female artists conceive and served in the early motherhood issues for discussion, first, the paper explain that woman in traditional primary tending to infants who phenomenon, a woman often due to the pressure of being confined to the invisible ideal motherhood the situation can not be the pursuit of self, and then to sort out the current women's culture and maternity-related writings as a comparison basis for subsequent research. Then the discussion of motherhood in society because of its non-pay, as the nature and become not taken seriously the work of feminists therefore advocate should face female fertility and act motherhood productive forces, re-take the mother's right to speak, to listen to women on their own sound, and western women artists, for example, cite it to maternal / motherhood theme creations. Chapter III and Chapter IV is targeted at five different areas in Taiwan female artists to maternal / motherhood theme of creation is described, and its creation readme, the actual interviews, and reviews of other ways to collect artists found in the theme of motherhood creation of meaning. Currently focused on the theme of female artists including maternity Hong-Juin Shieh, Hsiao-Ching Wang, Tzu-chi Yeh, Cheng-xiu Wu, Yi-jun Chen et al. In these women artists in the creation of tailor Female / pregnancy / motherhood theme Muse artistic creation as the beginning of their creative media, there are paintings, mixed media, photography, ink, performance art, video and other cross-media creation. Hong-Juin Shieh creative theme for their own pregnancy experience themselves and the fetus in the negative space of intimate interaction; Hsiao-Ching Wang as from the beginning of pregnancy, his major life change and the son of the growth process is recorded as a sheet formal family photos; Tzu-chi Yeh in seven months pregnant, in order to explore the meaning of life and the importance of life initiated a performance art; Cheng-xiu Wu the toddler from pregnancy to the child's psychological transformation process into a sheet layers of blooming ink paintings; Yi-jun Chen is lesbian identity, but puts herself is full of motherhood and your partner want to group families simulate pregnancy experience made into a documentary. Finally organize compare five people in the face of motherhood practices and creative difference between the two modes, and their experiences as creators of other women to follow the trajectory.
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author2 |
Kao Jung Hsi |
author_facet |
Kao Jung Hsi Lee Yi Jean 李伊真 |
author |
Lee Yi Jean 李伊真 |
spellingShingle |
Lee Yi Jean 李伊真 Research on Maternal Motives Reflected in Works by Contemporary Taiwanese Women Artists |
author_sort |
Lee Yi Jean |
title |
Research on Maternal Motives Reflected in Works by Contemporary Taiwanese Women Artists |
title_short |
Research on Maternal Motives Reflected in Works by Contemporary Taiwanese Women Artists |
title_full |
Research on Maternal Motives Reflected in Works by Contemporary Taiwanese Women Artists |
title_fullStr |
Research on Maternal Motives Reflected in Works by Contemporary Taiwanese Women Artists |
title_full_unstemmed |
Research on Maternal Motives Reflected in Works by Contemporary Taiwanese Women Artists |
title_sort |
research on maternal motives reflected in works by contemporary taiwanese women artists |
publishDate |
2013 |
url |
http://ndltd.ncl.edu.tw/handle/95330909740919208556 |
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