George A. Romero's History of the Dead: from the Film Style to Political Allegory
碩士 === 國立臺南藝術大學 === 動畫藝術與影像美學研究所 === 101 === This thesis attempted to explore the political allegory of director George A. Romero’s zombie films by its film style. In the beginning of the article, I, as the author, looked back the development process of the modern horror films, and compared Romero’s...
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ndltd-TW-101TNCA56410032018-04-10T17:22:27Z http://ndltd.ncl.edu.tw/handle/tq87tt George A. Romero's History of the Dead: from the Film Style to Political Allegory 喬治.羅米洛的活屍史╱死: 從電影風格到政治寓言 Yu-kai Chen 陳聿凱 碩士 國立臺南藝術大學 動畫藝術與影像美學研究所 101 This thesis attempted to explore the political allegory of director George A. Romero’s zombie films by its film style. In the beginning of the article, I, as the author, looked back the development process of the modern horror films, and compared Romero’s first zombie films Night of the Living Dead with the classic zombie film. Secondly, observed through the series of Romero’s zombie films, and found out the film form and style are affected by modern horror films and expressionist horror films; and further, presumed that the political allegory comes from the concentrate of the traditional horror film’s motif and social race, family, international relations. Eventually, I, as the author, discovered that Romero uses zombie films imply the problem of the development of American society and the international situation. Song-Yong Sing 孫松榮 2013 學位論文 ; thesis 145 zh-TW |
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碩士 === 國立臺南藝術大學 === 動畫藝術與影像美學研究所 === 101 === This thesis attempted to explore the political allegory of director George A. Romero’s zombie films by its film style. In the beginning of the article, I, as the author, looked back the development process of the modern horror films, and compared Romero’s first zombie films Night of the Living Dead with the classic zombie film. Secondly, observed through the series of Romero’s zombie films, and found out the film form and style are affected by modern horror films and expressionist horror films; and further, presumed that the political allegory comes from the concentrate of the traditional horror film’s motif and social race, family, international relations. Eventually, I, as the author, discovered that Romero uses zombie films imply the problem of the development of American society and the international situation.
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Song-Yong Sing |
author_facet |
Song-Yong Sing Yu-kai Chen 陳聿凱 |
author |
Yu-kai Chen 陳聿凱 |
spellingShingle |
Yu-kai Chen 陳聿凱 George A. Romero's History of the Dead: from the Film Style to Political Allegory |
author_sort |
Yu-kai Chen |
title |
George A. Romero's History of the Dead: from the Film Style to Political Allegory |
title_short |
George A. Romero's History of the Dead: from the Film Style to Political Allegory |
title_full |
George A. Romero's History of the Dead: from the Film Style to Political Allegory |
title_fullStr |
George A. Romero's History of the Dead: from the Film Style to Political Allegory |
title_full_unstemmed |
George A. Romero's History of the Dead: from the Film Style to Political Allegory |
title_sort |
george a. romero's history of the dead: from the film style to political allegory |
publishDate |
2013 |
url |
http://ndltd.ncl.edu.tw/handle/tq87tt |
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