George A. Romero's History of the Dead: from the Film Style to Political Allegory
碩士 === 國立臺南藝術大學 === 動畫藝術與影像美學研究所 === 101 === This thesis attempted to explore the political allegory of director George A. Romero’s zombie films by its film style. In the beginning of the article, I, as the author, looked back the development process of the modern horror films, and compared Romero’s...
Main Authors: | Yu-kai Chen, 陳聿凱 |
---|---|
Other Authors: | Song-Yong Sing |
Format: | Others |
Language: | zh-TW |
Published: |
2013
|
Online Access: | http://ndltd.ncl.edu.tw/handle/tq87tt |
Similar Items
-
Considering Blackness in George A. Romero's Night of the Living Dead: An Historical Exploration
by: Dotson, Jennifer Whitney
Published: (2006) -
St George Tucker's Essay "For the Old Batchellor" "The History of Contentment, an Allegory"
by: Bird, Vance Crockett
Published: (1974) -
'But I ain't dead' : plague from Defoe to Romero
by: Cooke, Jennifer
Published: (2007) -
From Night to Dawn: The Cultural Criticism of George A. Romero
by: Wagenheim, Christopher Paul
Published: (2010) -
LA AGONÍA DE LA CREATIVIDAD REPRESENTACIONES DE LO APOCALÍPTICO EN DAY OF THE DEAD DE GEORGE A. ROMERO
by: Emiliano Aldegani
Published: (2016-07-01)