| Summary: | 碩士 === 國立臺南藝術大學 === 鋼琴合作藝術研究所 === 101 === This thesis aimed to explore the Cello Sonata in A Minor, op. 36, composed by Edvard Grieg (1843-1907) and also to provide a different aspect of interpretation for the piece from a collaborative pianist’s point of view. The most famous and popular chamber works of Grieg are three violin sonatas, string quartet, and the Cello Sonata. Grieg’s musical training was based on the German Romantic Era. His style of composition is traditional, but his music character is fulfilled by the atmosphere of Norwegian nature, reflecting the wide nature and dry, cold weather. Greig was influenced not just by Norwegian dance and music, also Norwegian elements and the images were all weaved into his music. It became a very unique and personal style.
Grieg unique personal composition style is combined by the following element: chromatic melody, majors and minors transformation, western church mode scales, dominate pedal, exchanging melody and folk dance rhythm. This thesis will begin from the Edvard Grieg’s biography, and follow by the annotations and analysis of the piece. The main focus will be through analyzing the piece, the author will provide a new aspect of the structure and the interpretation of Cello Sonata in A Minor, op. 36 from a collaborative pianist’s view.
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