| Summary: | 碩士 === 國立臺北藝術大學 === 美術學系碩士班創作組 === 101 === Settling in daily life habits and insensibility, when an event breaking off from routine orbit occurs, we experience and react to it as a particular situation. Experience of this nature directly becomes the source of material accumulation for an art creator like myself. I have constantly “encountered” or “witnessed” some events, which were kept alive through the recording of the images at the moment of occurrence. After the act of recording, subsequent artistic transformation follows--using acceptable and readable artistic language, the experiences of the rupture from the daily events are realigned and edited. Perhaps through the withdrawing of specific personal experience or role, the images which prove the existence of the events (of rupture) cease to be merely the re-appearance or re-presentation of the recording (of the events). Instead, they provide another outlet for the possibility of yet another different reading experience. Through the writing of the thesis, I start pondering afresh how works can construct an “encounter” scene in an exhibition and how I can not only record the thinking process but also expand it—all of these become possible because of the correspondence between the reality and certain moment, the rupture and subsequent expansion at the exhibit, leading to a new encounter of an event scene.
|
|---|
