The Study of Deconstructing Drama Imitation in Li-Yu’s “Silent Opera” by Drama Script
碩士 === 國立雲林科技大學 === 漢學資料整理研究所碩士班 === 101 === Novels and drama are two types of literature. They affect each other during the process of literature development. Therefore, they have common ground and close relations. Li-Yu is good at composing novels and drama. He named his first short novel collecti...
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ndltd-TW-101YUNT57640132015-10-13T22:57:22Z http://ndltd.ncl.edu.tw/handle/35105204665076655386 The Study of Deconstructing Drama Imitation in Li-Yu’s “Silent Opera” by Drama Script 以「傳奇藍本」解構李漁話本小說《無聲戲》中的戲劇仿戲 Miao-Ping Jhang 張渺苹 碩士 國立雲林科技大學 漢學資料整理研究所碩士班 101 Novels and drama are two types of literature. They affect each other during the process of literature development. Therefore, they have common ground and close relations. Li-Yu is good at composing novels and drama. He named his first short novel collection “Silent Opera” which showed the concept of silence. The study intends to reveal the practice of Li-Yu’s silent opera, how novels break the boundary to imitate from drama and present its specialty. Studies on Li-Yu’s have been emphasized too much on individual style drama analysis and novels for ages. The study will focus more on the relations of between and discuss drama imitation of “Silent Drama” from character forming and scenes and plots’ developing. The conclusions will be how Li-Yu uses and imitates the concepts and techniques to achieve his expected result—a unique feature. Tung-Yang Huang Min - Hsiu Weng 黃東陽 翁敏修 2013 學位論文 ; thesis 136 zh-TW |
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碩士 === 國立雲林科技大學 === 漢學資料整理研究所碩士班 === 101 === Novels and drama are two types of literature. They affect each other during the process of literature development. Therefore, they have common ground and close relations. Li-Yu is good at composing novels and drama. He named his first short novel collection “Silent Opera” which showed the concept of silence. The study intends to reveal the practice of Li-Yu’s silent opera, how novels break the boundary to imitate from drama and present its specialty. Studies on Li-Yu’s have been emphasized too much on individual style drama analysis and novels for ages. The study will focus more on the relations of between and discuss drama imitation of “Silent Drama” from character forming and scenes and plots’ developing. The conclusions will be how Li-Yu uses and imitates the concepts and techniques to achieve his expected result—a unique feature.
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author2 |
Tung-Yang Huang |
author_facet |
Tung-Yang Huang Miao-Ping Jhang 張渺苹 |
author |
Miao-Ping Jhang 張渺苹 |
spellingShingle |
Miao-Ping Jhang 張渺苹 The Study of Deconstructing Drama Imitation in Li-Yu’s “Silent Opera” by Drama Script |
author_sort |
Miao-Ping Jhang |
title |
The Study of Deconstructing Drama Imitation in Li-Yu’s “Silent Opera” by Drama Script |
title_short |
The Study of Deconstructing Drama Imitation in Li-Yu’s “Silent Opera” by Drama Script |
title_full |
The Study of Deconstructing Drama Imitation in Li-Yu’s “Silent Opera” by Drama Script |
title_fullStr |
The Study of Deconstructing Drama Imitation in Li-Yu’s “Silent Opera” by Drama Script |
title_full_unstemmed |
The Study of Deconstructing Drama Imitation in Li-Yu’s “Silent Opera” by Drama Script |
title_sort |
study of deconstructing drama imitation in li-yu’s “silent opera” by drama script |
publishDate |
2013 |
url |
http://ndltd.ncl.edu.tw/handle/35105204665076655386 |
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