| Summary: | 碩士 === 國立暨南國際大學 === 中國語文學系 === 102 === The modern literature of China began when Hu Shih published his well-known article “Literary Reform” in “Xin Qing Nian”magazine in January 1917. The stable development of modern literature leads to the declination of the “old” literature. In addition, Hu Shih’s aggressive proclaim put the modern and old literature in the opposite position of “live” and “dead” literature had accelerated the deterioration of traditional literature. However, as the result of changes and transformation in research atmosphere, traditional poems and verses regain the researchers’ attention. Recently, the introspection on “Modern Chinese Literature” has made the China, Hong Kong, Taiwan and western researchers’ pay attention on the “frustration” on Modern Chinese Literature.
“Tongguang Style” was an old poetry stream which emerges in late Qing dynasty to early Republican era. This thesis studies on how the early modern poetries being “written” into Chinese Literature and how its discourse being formed and constructed. Chapter 2 introduces the literature background in early Republican era, including the development of classical Chinese literature, the activities of traditional literati, the development of new educational institution and classical Chinese literature in early Republican era. Chapter 3 concerns about the poets and reviewers who were active in late Qing dynasty, to understand their thoughts and opinions in early modern poetries. As an example on Chen-yan, the important poetries in his period, his work “Poetries at Shi-yi Shi” is the main target of this thesis to review the development of early modern poetries and its critics, especially the “Tongguang-Style” poetries. Chapter 4 inherits the ideas from chapter 3, to study the research results of the senior researchers after Republican era, and the disputation between “new” and “old” literature streams. Chapter 5 concludes the research results of early modern poetries in modern Chinese literature era, how is the “history” of early modern poetries being performed, and its value in recent time.
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