Fujoshi's Pleasure--Moe
碩士 === 南華大學 === 傳播學系 === 102 === Fujoshi, often defined as a fan for BL and BL fan fictions, manipulate the simulate males in the chosen texts to deconstruct binary opposite structure of sexuality. By searching the openings of the text meaning, the female audience distorts, appropriates, fabricate...
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ndltd-TW-102NHU003750012019-05-15T21:03:30Z http://ndltd.ncl.edu.tw/handle/8q4wag Fujoshi's Pleasure--Moe 腐女的歡愉-萌 Yu-Ying He 何雨縈 碩士 南華大學 傳播學系 102 Fujoshi, often defined as a fan for BL and BL fan fictions, manipulate the simulate males in the chosen texts to deconstruct binary opposite structure of sexuality. By searching the openings of the text meaning, the female audience distorts, appropriates, fabricates, and transforms texts to fit in their fantasies of love between males. The study used second-handed data analysis and focus group interview to understand Fujoshi’s practice of “Moe”. It was found to be a strictly rule-governed and intensively subjective symbolic manipulation and media consumption. By indicating “Moe”, “Moe contexts”, and “compensatory writing (in mind)”, they undermine the strategies of the binary gender structure imposed by the dominant, heterosexual society, and piece up the debris of the original texts to make their own preferable stories as “tactics”. The study displayed a unique form of performance of audience agency. Ting-Yu Chen 陳婷玉 2013 學位論文 ; thesis 87 zh-TW |
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碩士 === 南華大學 === 傳播學系 === 102 === Fujoshi, often defined as a fan for BL and BL fan fictions, manipulate the simulate males in the chosen texts to deconstruct binary opposite structure of sexuality. By searching the openings of the text meaning, the female audience distorts, appropriates, fabricates, and transforms texts to fit in their fantasies of love between males.
The study used second-handed data analysis and focus group interview to understand Fujoshi’s practice of “Moe”. It was found to be a strictly rule-governed and intensively subjective symbolic manipulation and media consumption. By indicating “Moe”, “Moe contexts”, and “compensatory writing (in mind)”, they undermine the strategies of the binary gender structure imposed by the dominant, heterosexual society, and piece up the debris of the original texts to make their own preferable stories as “tactics”.
The study displayed a unique form of performance of audience agency.
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Ting-Yu Chen |
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Ting-Yu Chen Yu-Ying He 何雨縈 |
author |
Yu-Ying He 何雨縈 |
spellingShingle |
Yu-Ying He 何雨縈 Fujoshi's Pleasure--Moe |
author_sort |
Yu-Ying He |
title |
Fujoshi's Pleasure--Moe |
title_short |
Fujoshi's Pleasure--Moe |
title_full |
Fujoshi's Pleasure--Moe |
title_fullStr |
Fujoshi's Pleasure--Moe |
title_full_unstemmed |
Fujoshi's Pleasure--Moe |
title_sort |
fujoshi's pleasure--moe |
publishDate |
2013 |
url |
http://ndltd.ncl.edu.tw/handle/8q4wag |
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