Fujoshi's Pleasure--Moe

碩士 === 南華大學 === 傳播學系 === 102 ===   Fujoshi, often defined as a fan for BL and BL fan fictions, manipulate the simulate males in the chosen texts to deconstruct binary opposite structure of sexuality. By searching the openings of the text meaning, the female audience distorts, appropriates, fabricate...

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Main Authors: Yu-Ying He, 何雨縈
Other Authors: Ting-Yu Chen
Format: Others
Language:zh-TW
Published: 2013
Online Access:http://ndltd.ncl.edu.tw/handle/8q4wag
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spelling ndltd-TW-102NHU003750012019-05-15T21:03:30Z http://ndltd.ncl.edu.tw/handle/8q4wag Fujoshi's Pleasure--Moe 腐女的歡愉-萌 Yu-Ying He 何雨縈 碩士 南華大學 傳播學系 102   Fujoshi, often defined as a fan for BL and BL fan fictions, manipulate the simulate males in the chosen texts to deconstruct binary opposite structure of sexuality. By searching the openings of the text meaning, the female audience distorts, appropriates, fabricates, and transforms texts to fit in their fantasies of love between males.     The study used second-handed data analysis and focus group interview to understand Fujoshi’s practice of “Moe”. It was found to be a strictly rule-governed and intensively subjective symbolic manipulation and media consumption. By indicating “Moe”, “Moe contexts”, and “compensatory writing (in mind)”, they undermine the strategies of the binary gender structure imposed by the dominant, heterosexual society, and piece up the debris of the original texts to make their own preferable stories as “tactics”.     The study displayed a unique form of performance of audience agency. Ting-Yu Chen 陳婷玉 2013 學位論文 ; thesis 87 zh-TW
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language zh-TW
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description 碩士 === 南華大學 === 傳播學系 === 102 ===   Fujoshi, often defined as a fan for BL and BL fan fictions, manipulate the simulate males in the chosen texts to deconstruct binary opposite structure of sexuality. By searching the openings of the text meaning, the female audience distorts, appropriates, fabricates, and transforms texts to fit in their fantasies of love between males.     The study used second-handed data analysis and focus group interview to understand Fujoshi’s practice of “Moe”. It was found to be a strictly rule-governed and intensively subjective symbolic manipulation and media consumption. By indicating “Moe”, “Moe contexts”, and “compensatory writing (in mind)”, they undermine the strategies of the binary gender structure imposed by the dominant, heterosexual society, and piece up the debris of the original texts to make their own preferable stories as “tactics”.     The study displayed a unique form of performance of audience agency.
author2 Ting-Yu Chen
author_facet Ting-Yu Chen
Yu-Ying He
何雨縈
author Yu-Ying He
何雨縈
spellingShingle Yu-Ying He
何雨縈
Fujoshi's Pleasure--Moe
author_sort Yu-Ying He
title Fujoshi's Pleasure--Moe
title_short Fujoshi's Pleasure--Moe
title_full Fujoshi's Pleasure--Moe
title_fullStr Fujoshi's Pleasure--Moe
title_full_unstemmed Fujoshi's Pleasure--Moe
title_sort fujoshi's pleasure--moe
publishDate 2013
url http://ndltd.ncl.edu.tw/handle/8q4wag
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AT héyǔyíng fǔnǚdehuānyúméng
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